INTERACTION AND SPATIALIZATION : THREE RECENT MUSICAL WORKS
Abstract
This presentation will describe the use of interaction and spatialization in the realization of three recent musical works. In Echappées, the computer responds to the live celtic harp by echoes or harmonizations produced with MaxMSP. Resonant Sound Spaces and Pentacle resort to the tape, either alone for the former or in dialogue with the harpsichord played live for the latter. For these two pieces, real-time synthesis and processing have been used to produce sound material for the tape, and a 8-track spatialization has been elaborated, using the Holophon software designed by Laurent Pottier at GMEM. The presentation will be illustrated by sound examples.
Domains
Sound [cs.SD]
Origin : Files produced by the author(s)