G. Assayag, C. Rueda, M. Laurson, C. Agon, and O. Delerue, Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic, Computer Music Journal, vol.23, issue.3, 1999.
DOI : 10.2307/3679811

M. A. Baalman, Spatial Composition Techniques and Sound Spatialisation Technologies, Organised Sound, vol.36, issue.03, pp.3-209, 2010.
DOI : 10.2307/3680992

F. Behrendt, From calling a cloud to finding the missing track: Artistic approaches to mobile music, Proceedings of the International Conference on New Interfaces for Musical Expression, 2005.

F. Bevilacqua, N. Rasamimanana, E. Fléty, S. Lemouton, F. Baschet et al., The augmented violin 7 https://cordova.apache.org/ project: Research, composition and performance report, Proc. NIME '06, pp.402-406, 2006.

J. Bresson, Spatial Structures Programming for Music, Spatial Computing Workshop (colocated w. AAMAS'12), 2012.
URL : https://hal.archives-ouvertes.fr/hal-01161314

J. Bresson, C. Agon, and G. Assayag, OpenMusic, Proceedings of the 19th ACM international conference on Multimedia, MM '11, pp.743-746, 2011.
DOI : 10.1145/2072298.2072434

URL : https://hal.archives-ouvertes.fr/hal-01075235

B. Cabaud and L. Pottier, Le contrôle de la spatialisation multi-sources-nouvelles fonctionnalités dans holophon version 2.2, 2002.

T. Carpentier, Récents développements du Spatialisateur, Actes des Journées d'Informatique Musicale, 2015.

J. Fineberg, Spectral music, Contemporary Music Review, vol.19, issue.2, pp.1-5, 2000.
DOI : 10.1080/07494460000640221

J. C. Flanagan, The critical incident technique., Psychological Bulletin, vol.51, issue.4, 1954.
DOI : 10.1037/h0061470

J. Florens and C. Cadoz, The physical model: modeling and simulating the instrumental universe, 1991.
URL : https://hal.archives-ouvertes.fr/hal-01202682

J. Garcia, J. Bresson, and T. Carpentier, Towards interactive authoring tools for composing spatialization, 2015 IEEE Symposium on 3D User Interfaces (3DUI), 2015.
DOI : 10.1109/3DUI.2015.7131745

URL : https://hal.archives-ouvertes.fr/hal-01108709

J. Garcia, P. Leroux, and J. Bresson, pOM: Linking Pen Gestures to Computer-Aided Composition Processes, Proc. ICMC|SMC 2014, pp.384-390, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01053295

H. Hutchinson, W. Mackay, B. Westerlund, B. B. Bederson, A. Druin et al., Technology probes, Proceedings of the conference on Human factors in computing systems , CHI '03, pp.17-24, 2003.
DOI : 10.1145/642611.642616

J. Jot and O. Warusfel, Spat?: A spatial processor for musicians and sound engineers, CIARM: International Conference on Acoustics and Musical Research, 1995.
URL : https://hal.archives-ouvertes.fr/hal-01106969

L. Vaillant, G. Giot, R. Gomez, and R. , Interface Multimodale pour la Spatialisation de Musique Acousmatique, Actes des Journées d'Informatique Musicale, 2015.

P. .. Leroux, ???To Phrase the World: Continuity, Gesture and Energy in the Musical Work, Circuit: Musiques contemporaines 21, pp.29-48, 2011.
DOI : 10.7202/1005271ar

M. T. Marshall, J. Malloch, and M. M. Wanderley, Gesture control of sound spatialization for live musical performance. In Gesture-Based Human-Computer Interaction and Simulation, pp.227-238, 2009.

J. Mathew, S. Huot, and A. Blum, A morphological analysis of audio objects and their control methods for 3d audio, Proc. NIME '14, pp.415-420, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01022825

J. J. Nixdorf and D. Gerhard, Real-time sound source spatialization as used in challenging bodies: implementation and performance, Proceedings of the 2006 conference on New interfaces for musical expression, pp.318-321, 2006.

F. Otondo, Creating Sonic Spaces: An Interview with Natasha Barrett, Computer Music Journal, vol.11, issue.3, pp.10-19, 2007.
DOI : 10.1017/S1355771898002076

F. Otondo, Contemporary trends in the use of space in electroacoustic music, Organised Sound, vol.13, issue.01, pp.1-77, 2008.
DOI : 10.1017/S1355771808000095

F. Pachet and O. Delerue, A Mixed 2D/3D Interface for Music Spatialization, Virtual Worlds, pp.298-307, 1998.
DOI : 10.1007/3-540-68686-X_28

N. Peters, S. Ferguson, and S. Mcadams, Towards a spatial sound description interchange format (spatdif), Canadian Acoustics, vol.35, issue.3, pp.64-65, 2007.

N. Peters, G. Marentakis, and S. Mcadams, Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis, Computer Music Journal, vol.35, issue.1, pp.10-27, 2011.
DOI : 10.1109/TSA.2004.838533

M. Puckette, Combining Event and Signal Processing in the MAX Graphical Programming Environment, Computer Music Journal, vol.15, issue.3, 1991.
DOI : 10.2307/3680767

C. Roberts, G. Wakefield, and M. Wright, The web browser as synthesizer and interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp.313-318, 2013.

N. Schnell, S. Robaszkiewicz, F. Bevilacqua, and D. Schwarz, Collective sound checks ? exploring intertwined sonic and social affordances of mobile web applications, Proc. TEI '15, pp.685-690, 2015.

A. Sèdes, P. Guillot, and E. Paris, The HOA library, review and prospects, International Computer Music Conference Proceedings, vol.2014, 2014.

H. Tutschku, On the interpretation of multi-channel electroacoustic works on loudspeaker-orchestras: Some thoughts on the grm-acousmonium and beast, Journal of Electroacoustic Music, vol.14, pp.14-16, 2002.

M. Wright, Open Sound Control: an enabling technology for musical networking, Organised Sound, vol.10, issue.03, pp.193-200, 2005.
DOI : 10.1017/S1355771805000932