pOM: Linking Pen Gestures to Computer-Aided Composition Processes

Jérémie Garcia 1, 2, 3 Philippe Leroux 4 Jean Bresson 3
1 IN-SITU - Situated interaction
LRI - Laboratoire de Recherche en Informatique, UP11 - Université Paris-Sud - Paris 11, Inria Saclay - Ile de France, CNRS - Centre National de la Recherche Scientifique : UMR8623
2 LRI - Laboratoire de Recherche en Informatique
3 Repmus - Représentations musicales
STMS - Sciences et Technologies de la Musique et du Son
4 Schulich School of Music & CIRMMT
Abstract : Illuminated manuscripts of medieval music contain rich decorations in addition to handwritten neumatic notation. Our project with composer Philippe Leroux investigates the use of such handwritten symbols during the composition of his piece Quid sit musicus. We introduce pOM, an interactive paper application and a library for the OpenMusic computer-aided composition environment which links pen gestures over an old manuscript to compositional processes. The paper interface analyzes the stroke while writing and transmits several features to reactive programs in OpenMusic. pOM allows the composer to define his own functions and get direct musical feedback from pen interactions.
Type de document :
Communication dans un congrès
40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Sep 2014, Athenes, Greece. 2014
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Soumis le : mercredi 30 juillet 2014 - 16:56:04
Dernière modification le : vendredi 31 août 2018 - 09:18:09

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Jérémie Garcia, Philippe Leroux, Jean Bresson. pOM: Linking Pen Gestures to Computer-Aided Composition Processes. 40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Sep 2014, Athenes, Greece. 2014. 〈hal-01053295v2〉

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