Will Software Modules for Performing Arts be Sustainable ?

Alain Bonardi; Jérôme Barthélemy; Raffaele Ciavarella; Guillaume Boutard

Will Software Modules for Performing Arts be Sustainable ?

Alain Bonardi ¹ Jérôme Barthélemy ¹ Raffaele Ciavarella ¹ Guillaume Boutard ¹

1 Equipe Ingénierie des connaissances musicales

STMS - Sciences et Technologies de la Musique et du Son

Abstract : When moving from hardware device to computers on stage at the end of the 1970’s, artists did not realize they would sometimes be unable to reperform their works twenty years later. Many of them now use software modules that face important sustainability problems. In the framework of Caspar European project, the On Line Service Team at Ircam proposes a series of new tools to accompany the maintenance of software modules required by performers on stageinstitutions becomes important for them, since they all try to find a balance between the constitution of a repertoire and the promotion of creation [12], [10]. At Ircam for instance, a repertoire of nearly 60 works using software modules is now identified as a core of music pieces considered as being interesting for future reperformance. Whereas preservation of music has been studied and

Keywords : authenticity reperforming virtualisation préservation

Document type :

Conference papers

Domain :

Computer Science [cs]

Liste complète des métadonnées

Cited literature [10 references] Display Hide Download

https://hal.archives-ouvertes.fr/hal-01161068
Contributor : Ircam Ircam <>
Submitted on : Monday, June 8, 2015 - 2:27:13 PM
Last modification on : Thursday, March 21, 2019 - 2:22:01 PM
Document(s) archivé(s) le : Tuesday, September 15, 2015 - 12:21:22 PM

index.pdf

Files produced by the author(s)

Will Software Modules for Performing Arts be Sustainable ?

File

Identifiers

Collections

Citation

Export

Metrics

77

46

Contact

Will Software Modules for Performing Arts be Sustainable ?

File

Identifiers

Collections

Citation

Export

Share

Metrics

77

46

Contact