Color and Spectral Mixings in Printed Surfaces

Mathieu Hébert (1, 1) , David Nebouy (1) , Serge Mazauric (1, 1, 2)

1 LHC - Laboratoire Hubert Curien
2 CPE - Department of Computer Science [Lyon]

The present paper discusses the concept of subtractive color mixing widely used in color hardcopy applications and shows that a more realistic concept would be " spectral mixing " : the physical description of the coloration of light by printed surfaces comes from the mixing of light components selectively absorbed by inks or dyes during their patch within the printing materials. Some classical reflectance equations for continuous tone and halftone prints are reviewed and considered as spectral mixing laws. The challenge of extending these models to new inkless printing processes based on laser radiation is also addressed. Color mixing is a key-concept in color reproduction, either by painting, printing, or displaying. It refers to the observation that a large panel of colors (the color gamut) can be achieved by varying the amount of a limited set of base colors, called primaries. With light emitting systems, the primaries are light sources, often with red, green and blue color, that are either superposed or juxtaposed with a shorter period than the visual acuity. Since the tristimulus values of the produced colors is a linear, additive combination of the tristimulus values of the three primaries, this type of color mixing has been called additive color mixing. This concept, based on Grassman's additivity law, enabled the color matching experiments at the basis of colorimetry [1]. In opposition to the light emitting systems, paintings and printed hardcopies selectively attenuate the incident white light in different proportions according to the wavelength. Layers of primaries, paints or inks, are coated on a reflecting support and play a role of spectral filtering of light. This type of color mixing is improperly called subtractive color mixing [2], by reference to the fact that part of the incident light is removed by filtering, but the tristimulus values of paint or ink mixtures cannot be obtained by combining the tristimulus values of the primaries; it is therefore not a color mixing in the sense of colorimetry. However, the subtractive color mixing is also related to a physical experience, which consists in producing many colors by mixing nonscattering dyes, usually of cyan, magenta and yellow color. According to the Beer-Lambert-Bouguer law [1], the spectral absorption coefficient of the dye mixture, () K λ , is a linear, additive combi-The final publication is available at http://link.springer.com

Mots clés: Color mixing; printing; halftone colors; spectral reflectance 1 Introduction

Domaines: Optique / photonique

Mathieu Hébert, David Nebouy, Serge Mazauric. Color and Spectral Mixings in Printed Surfaces. Computational Color Imaging Workshop, Mar 2015, Saint-Etienne, France. pp.3-16, ⟨10.1007/978-3-319-15979-9_1⟩. ⟨hal-01135956⟩