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Les usages de Twitter au festival de Cannes. Pratiques numériques et construction des opinions esthétiques

Abstract : This article is a contribution to the analysis of the effects of social networks on the shaping of taste and opinions concerning cultural matters. Taking as an example the Twitter usage of thirty-two professional partners of Vodkaster who play with each other on the Cannes stage and using mainly lexical ana­lysis, one can shed light on three structural concepts: the digital outsider – his deviance being a central feature of the event, lea­dership – based on faithful readership, and the fourth circle of spectators who experience the festival by proxy. Thus, digital social networks are both an easily mobilized resource for the analysis of audience and a specific form of festival-goer’s sociability.
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https://hal.archives-ouvertes.fr/hal-03265452
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Submitted on : Sunday, June 20, 2021 - 8:48:27 PM
Last modification on : Tuesday, January 11, 2022 - 5:56:37 PM
Long-term archiving on: : Tuesday, September 21, 2021 - 6:16:27 PM

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Myriam Dougados, Jean-Louis Fabiani, Julien Gaillard, Yonathan Portilla. Les usages de Twitter au festival de Cannes. Pratiques numériques et construction des opinions esthétiques. Culture et Musées, Avignon Université, 2021, pp.89-106. ⟨10.4000/culturemusees.639⟩. ⟨hal-03265452⟩

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