Neural activity associated with distinguishing concurrent auditory objects, J. Acoust. Soc. Amer, vol.111, issue.2, pp.990-995, 2002. ,
Acoustics of Organ Pipes and Future Trends in the Research, Acoustics Today, vol.13, issue.1, pp.10-18, 2017. ,
Sound quality assessment of wood for xylophone bars, J. Acoust. Soc. Am, vol.121, issue.4, pp.2407-2420, 2007. ,
URL : https://hal.archives-ouvertes.fr/hal-00462231
Sound Categorization and Conceptual Priming for Non Linguistic and Linguistic Sounds, Journal of Cognitive Neuroscience, vol.22, issue.11, pp.2555-2569, 2009. ,
Imagine the sounds : an intuitive control of an impact sound synthesizer. Computer Music Modeling and RetrievalAuditory Display, LNCS, vol.5954, pp.408-422, 2010. ,
Controlling the perceived material in an impact sound synthesizer, IEEE Transactions on Audio, Speech, and Language Processing, vol.19, issue.2, pp.301-314, 2011. ,
URL : https://hal.archives-ouvertes.fr/hal-00465085
Controlling material properties in physical models of sounding objects, Proceedings of the International Computer Music Conference, pp.91-94, 2001. ,
From Clarinet Control to Timbre Perception, Acta Acustica, vol.96, pp.678-689, 2010. ,
URL : https://hal.archives-ouvertes.fr/hal-00462256
Acoustical correlates of timbre and expressiveness in clarinet performance, Music Perception: An Interdisciplinary Journal, vol.28, issue.2, pp.135-154, 2010. ,
URL : https://hal.archives-ouvertes.fr/hal-00464119
Analysis-by-Synthesis of Timbre, Timing, and Dynamics in Expressive Clarinet Performance. Music Perception, An Interdisciplinary Journal, vol.28, issue.3, pp.265-279, 2011. ,
URL : https://hal.archives-ouvertes.fr/hal-00476679
1766) L'art du facteur d'orgues, 2004. ,
The Simulation of Piano String Vibration: From Physical Models to Finite Difference Schemes and Digital Waveguides, J. Acoust. Soc. Am, vol.114, issue.2, pp.1095-1107, 2003. ,
URL : https://hal.archives-ouvertes.fr/hal-00088329
Perception des bruits d'impact: Application au bruit de fermeture de porte automobile, 2007. ,
URL : https://hal.archives-ouvertes.fr/tel-00278427
From acoustic descriptors to evoked quality of car-door sounds, J. Acoust. Soc. Am, vol.136, issue.1, pp.226-241, 2014. ,
URL : https://hal.archives-ouvertes.fr/hal-01005551
Physical Modeling of Timpani Drums in 3D on GPGPUs, Journal of the Audio Engineering Society, vol.61, issue.10, pp.737-748, 2013. ,
Assessing sound perception through vocal imitations of sounds that evoke movements and materials, Proceedings of the 13th International Symposium on Computer Music Multidisciplinary Research CMMR "Music Technology with Swing, 2017. ,
Perception of Object Length by Sound, Psychological Science, vol.26, issue.1, pp.211-214, 1998. ,
Gestural strategies in the harp performance, Acta Acust, vol.99, issue.6, pp.986-996, 2013. ,
URL : https://hal.archives-ouvertes.fr/hal-01461749
Physical and sensory evaluation of cornflakes crispness, Journal of Texture Studies, vol.36, pp.93-118, 2005. ,
, SHAR, vol.69, 2019.
A synthesis model with intuitive control capabilities for rolling sounds, IEEE Transactions on Audio, Speech, and Language Processing, vol.22, issue.8, pp.1260-1273, 2014. ,
URL : https://hal.archives-ouvertes.fr/hal-01050466
An intuitive synthesizer of continuous interaction sounds : Rubbing, Scratching and Rolling, Computer Music Journal, vol.38, issue.4, pp.24-37, 2014. ,
URL : https://hal.archives-ouvertes.fr/hal-01050522
Principles for Designing Computer Music Controllers, Proceeding of New Interfaces for Musical Expression, 2001. ,
, The Synthesis Toolkit. International Computer Music Conference, 1999.
Auditory semantic networks for words and natural sounds, Brain Research, vol.1115, pp.92-107, 2006. ,
Let me hear your handwriting! Evaluating the movement fluency from its sonification, PLoS One, issue.6, p.10, 2015. ,
URL : https://hal.archives-ouvertes.fr/hal-01477393
Assessing a clarinet player's performer gestures in relation to locally intended musical targets, J. New Music Res, vol.41, issue.1, pp.31-48, 2012. ,
Les fous du son, d'Edison à nos jours, Grasset, p.560, 2016. ,
The Physics of Musical Instruments, 1998. ,
The Analytical Theory of Heat, 1878. ,
What in the world do we hear? An ecological approach to auditory event perception, Ecol. Psychol, vol.5, issue.1, pp.1-29, 1993. ,
The Ecological Approach to Visual Perception, 1979. ,
Material Categorization and Hardness Scaling in Real and Synthetic Impact Sounds, The Sounding Object, pp.73-93, 2003. ,
Material identification of real impact sounds: Effects of size variation in steel, wood, and Plexiglass plates, J. Acoust. Soc. Am, vol.119, issue.2, pp.1171-1181, 2006. ,
From Sounds to Music : Different Approaches to Event Piloted Instruments, Lecture Notes in Computer Science, vol.2771, pp.225-246, 2003. ,
Exploring Emotional Responses to Orchestral Gestures, Musicae Scientiae, pp.1-25, 2017. ,
Multidimensional perceptual scaling of musical timbres, J. Acoust. Soc. Am, vol.61, pp.1270-1277, 1977. ,
Real-time synthesis of clarinet-like instruments using digital impedance models, J. Acoust. Soc. Am, vol.118, pp.483-494, 2005. ,
URL : https://hal.archives-ouvertes.fr/hal-00009254
Methodological issues in timbre research, pp.253-306, 1997. ,
On the Sensations of Tone as a Physiological Basis for the Theory of Music, 1868. ,
The Sound of Rolling Objects, Perception of Size and Speed, 2002. ,
The empirical mode decomposition and Hilbert spectrum for nonlinear and nonstationary time series analysis, Proc. R, pp.903-995, 1971. ,
Perception of material from contact sounds, Presence: Teleoperators and Virtual Environments, vol.9, issue.4, pp.399-410, 2000. ,
, SHAR, vol.69, 2019.
Caractérisation du timbre des sons complexes, II Analyses acoustiques et quantification psychophysique (Characterization of complex sounds timbre, II Acoustical analyses and psychophysical quantification), Journal de Physique IV, vol.5, pp.625-628, 1994. ,
Modelling of Natural Sounds Using TimeFrequency and Wavelet Representations. Organised sound, vol.2, pp.179-191, 1997. ,
Effects of musical experience on different components of meg responses elicited by sequential piano-tones and chords, J. Neurosci, vol.26, issue.15, pp.4046-4053, 2006. ,
Reading senseless sentences: Brain potentials reflect semantic incongruity, Science, vol.207, pp.203-204, 1980. ,
Quality of door sounds of passenger cars, Acoust. Sci. Technol, vol.27, issue.5, pp.309-312, 2006. ,
Analysis/synthesis of sounds generated by sustained contact between rigid objects, IEEE Transactions on Audio, Speech, and Language Processing, vol.18, issue.3, pp.509-518, 2010. ,
URL : https://hal.archives-ouvertes.fr/hal-01106568
The Representation of Auditory Source Characteristics: Simple Geometric Form. Attention, Perception, & Psychophysics, vol.59, issue.8, pp.1180-1190, 1997. ,
URL : https://hal.archives-ouvertes.fr/hal-01106471
Blending between bassoon and horn players: an analysis of timbral adjustments during musical performance, Music Perception, vol.35, issue.2, pp.144-164, 2017. ,
Vocal imitations and the identification of sound events, Ecol. Psychol, vol.4, issue.23, pp.267-307, 2011. ,
URL : https://hal.archives-ouvertes.fr/hal-00717963
Analysis/synthesis of rolling sounds using a source-filter approach, 13th Int. Conference on Digital Audio Effects (DAFx-10), 2010. ,
Auditory Detection of Hollowness, J. Acoust. Soc. Am, vol.110, issue.2, pp.1010-1019, 2001. ,
Auditory discrimination of material changes in a struck-clamped bar, J. Acoust. Soc. Am, vol.102, issue.6, pp.3647-3656, 1997. ,
The digital computer as a musical instrument, Science, vol.142, issue.3592, pp.553-557, 1963. ,
Computer study of violin tones, J. Acoust. Soc. Am, vol.38, issue.5, pp.912-913, 1965. ,
Thinking in Sound: The cognitive psychology of human audition, 1993. ,
URL : https://hal.archives-ouvertes.fr/hal-02180708
Perceptual scaling of synthesized musical timbres : common dimensions, specificities, and latent subject classes, Psychological Research, vol.58, pp.177-192, 1995. ,
URL : https://hal.archives-ouvertes.fr/hal-00828647
Perspectives on the contribution of timbre to musical structure, Comput. Music J, vol.23, issue.3, pp.85-102, 1999. ,
URL : https://hal.archives-ouvertes.fr/hal-01105665
The psychomechanics of simulated sound sources: Material properties of impacted bars, J. Acoust. Soc. Am, vol.115, issue.3, pp.1306-1320, 2004. ,
The psychomechanics of simulated sound sources: Material properties of impacted thin plates, J. Acoust. Soc. Am, vol.128, issue.3, pp.1401-1413, 2010. ,
Abstract sounds and their applications in audio and perception research, Exploring music contents, vol.6684, pp.176-187, 2011. ,
URL : https://hal.archives-ouvertes.fr/hal-00727560
, SHAR, vol.69, 2019.
Perceptual characterization of motion evoked by sounds for synthesis control purposes, Transactions on Applied Perception (TAP), vol.10, issue.1, pp.1-24, 2013. ,
URL : https://hal.archives-ouvertes.fr/hal-00741968
Categorization and timbre perception of environmental sounds in schizophrenia, Psychiatry Research, vol.189, issue.1, pp.149-152, 2011. ,
, New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions, p.286, 2006.
Position and force sensors and their application to keyboards and related controllers, Proceedings of the AES 5th International Conference: Music and Digital Technology, pp.179-181, 1987. ,
The Acoustics of Brass Musical Instruments, Acoustics Today, vol.12, issue.4, pp.30-37, 2016. ,
The Timbre Toolbox: Audio descriptors of musical signals, J. Acoust. Soc. Am, vol.130, issue.5, 2011. ,
URL : https://hal.archives-ouvertes.fr/hal-01106771
Portrait of the machine as a young artist, Playboy, vol.12, issue.6, p.184, 1965. ,
Real-time auditory models, Proceedings of International Computer Music Conference, pp.295-298, 2005. ,
Perception-Based Interactive Sound Synthesis of Morphing Solids' Interactions, Proceedings of the Siggraph Asia, pp.2-5, 2015. ,
Perception of Material and Shape of Impacted Everyday Objects, Proc. of the 10th International Symposium on Computer Music Multidisciplinary Research, pp.943-959, 2013. ,
Informative sonic feedback for continuous human-machine interaction-controlling a sound model of a rolling ball, IEEE Multimedia Special on Interactive Sonification, vol.12, issue.2, pp.60-69, 2004. ,
Computer study of trumpet sounds, J. Acoust. Soc. Am, vol.38, issue.5, p.912, 1965. ,
Introduction to Granular Synthesis, Computer Music Journal, vol.12, issue.2, pp.11-13, 1988. ,
Validation of auditory attributes using analysis synthesis method, Congrès Francais d'Acoustique/DAGA, 2004. ,
Acoustic Cues for 3-D Shape Information, Proc. of the 2001 Int. Conf. on Auditory Display, pp.175-180, 2001. ,
Exploring the effects of constraints on the cellist's postural displacements and their musical expressivity, Music, Mind and Embodiment, vol.9617, 2016. ,
Exploring the perceived harshness of cello sounds by morphing and synthesis techniques, J. Acoust. Soc. Am, vol.141, issue.3, pp.2121-2136, 2017. ,
Percpetual evaluation of violins: A quantitative analysis of preference judgments by experienced players, J. Acoust. Soc. Am, vol.132, issue.6, pp.4002-4012, 2012. ,
A psycholinguistic analysis of preference verbal descriptors by experienced musicians, J. Acoust. Soc. Am, vol.141, issue.4, pp.2746-2757, 2017. ,
Traité des objets musicaux (Treatise of musical objects), 1966. ,
, SHAR, vol.69, 2019.
A new wavelet technique for transient sound visualization and application to automotive door closing events, Proceedings of the SAE Noise and Vibration Conference and Exposition, 1999. ,
The evocative power of sounds: Conceptual priming between words and nonverbal sounds, Journal of Cognitive Neuroscience, vol.22, pp.1026-1035, 2009. ,
Timbre Characteristics of Interior Car Sound. Auditory Display, pp.377-391, 2010. ,
URL : https://hal.archives-ouvertes.fr/hal-00697076
Modélisation perceptive du bruit habitacle et caractérisation de son ressenti (Perceptual modelling of interior car noise and characterization of induced sensation), 2011. ,
Dissimilarity Test modelisation applied to Interior Car Sound Perception, Proceedings AES 45th International Conference on Applications of Time-Frequency Processing in Audio, 2012. ,
Modulation of p2 auditory-evoked responses by the spectral complexity of musical sounds, NeuroReport, vol.16, issue.16, pp.1781-1785, 2005. ,
Time-Domain Modeling and Simulation of Rolling Objects, Acta Acustica United with Acustica, vol.93, issue.2, pp.290-304, 2007. ,
URL : https://hal.archives-ouvertes.fr/hal-00838882
Grouping and differentiation two main principles in the performance of music, Integrated Human Brain Science : Theory, Method Application, pp.299-314, 2000. ,
Exploring relationships between pianists' body movements, their expressive intentions, and structural elements of the music, Musicae Sci, vol.16, issue.1, pp.19-40, 2012. ,
Timbral analogies between vowels and plucked strings tones, Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, vol.4, pp.293-296, 2004. ,
Investigating the Perception of the Size, Shape and Mateial of Damped and Free Vibrating Plates, Proceedings of the 28th annual conference on Computer graphics and interactive techniques, pp.537-544, 2001. ,
Moved through music: The effect of experienced emotions on performers' movement characteristics, Psychol. Music, vol.41, issue.2, pp.175-197, 2013. ,
, Que la Musique Sonne. 391, n°5, 1917.
A 3D Immersive synthesizer for environmental sounds, IEEE Transactions on Audio, Speech, and Language Processing, vol.18, issue.6, pp.1550-1561, 2010. ,
URL : https://hal.archives-ouvertes.fr/hal-00462544
The musical significance of clarinetists' ancillary gestures: An exploration of the field, J. New Music Res, vol.34, issue.1, pp.97-113, 2005. ,
Auditory Perception of Breaking and Bouncing Events: A Case Studyin Ecological Acoustics, Journal of Experimental Psychology: Human Perception and Performance, vol.10, issue.5, pp.704-712, 1984. ,
Timbre Space as a Musical Control Structure, Computer Music Journal, vol.3, issue.2, pp.45-52, 1979. ,
Recovering Material Properties from Sound, SHAR, vol.69, 1988. ,
, , vol.25, pp.356-363
The Acoustics of Woodwind Musical instruments, Acoustics Today, vol.14, pp.50-56, 2018. ,