Acoustical correlates of timbre and expressiveness in clarinet performance

Abstract : This study deals with the acoustical factors liable to account for expressiveness in clarinet per- formances. Mechanical and expressive performances of excerpts from Bach's Suite no. II and Mozart's Quintet for Clarinet and Strings were recorded. Timbre, timing, dynamics and pitch descriptors were extracted from the recorded performances. The data were processed with a two-way analysis of variance, where the musician's expressive intentions and the note factors were defined as the independent variables. In both musical excerpts, a strong effect of the expressive intention was observed on the timbre (Attack Time, Spectral Centroid, Odd/Even Ratio), temporal (Intertone Onset Intervals) and dynamics (Root Mean Square envelope) de- scriptors. The changes in the timbre descriptors were found to depend on the position of the notes in the musical phrases. These results suggest that timbre, as well as temporal and dynamics variations, may mediate expressiveness in the musical messages transmitted from performers to listeners.
Type de document :
Article dans une revue
Music Perception, University of California Press, 2010, 28 (2), pp. 135-154
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https://hal.archives-ouvertes.fr/hal-00464119
Contributeur : Solvi Ystad <>
Soumis le : mardi 16 mars 2010 - 09:39:43
Dernière modification le : mardi 5 avril 2016 - 01:03:55

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  • HAL Id : hal-00464119, version 1

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Mathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Solvi Ystad. Acoustical correlates of timbre and expressiveness in clarinet performance. Music Perception, University of California Press, 2010, 28 (2), pp. 135-154. <hal-00464119>

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