Dispositifs & installations artistiques : étude de la topologie des interactions collectives co-localisées

Abstract : Art installations that enable co-located collective interac- tions rarely call the execution of a task or a preannounced goal as a guideline for the activity. If this new configuration, which differs from those of traditional HCI, is revealed, from the perspective of aesthetic experience, to be one of the richest and most ’engaging’ ones, it is by no means less complex to apprehend for both the artist and the end-user. Through a case study (with concrete examples of artistic installations), we propose in this present article to exam- ine the topological configurations of existing co-localized collective interaction by analyzing the scope of actions of the systems’ agents and the relations between them. To achieve this, we lay the foundations of a new graphical lan- guage (used here to describe the relations between inter- faces), which we foresee to dedicate, in the near future, to the modeling, visual representation and taxonomic analysis of topologies of interaction.
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Oussama Mubarak, David Bihanic, Samuel Bianchini. Dispositifs & installations artistiques : étude de la topologie des interactions collectives co-localisées. 28ième conférence francophone sur l’Interaction Homme-Machine, Oct 2016, Fribourg, Suisse. pp.10-19. ⟨hal-01386424⟩

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