El papel de la Divina Commedia en la primera utopía española moderna impresa: el Somnium de Juan Maldonado (1541), entre Dante y Moro
Abstract
The influence of the Dantesque work, particularly his masterpiece The Divin comedy, in the composition of Juan Maldonado’s Somnium, has been pointed out by critics on a couple of occasions, but it has not been deepened to its full extent. This is what we propose to carry out in this work, in order to unravel the peculiar idiosyncrasies of this little work, which is located between two eras and two poetics: the medieval and the modern. The link between this work and that of Thomas More, a close friend of Erasmus, gives rise to considerations around the erasmism of Maldonado.
Ha sido señalada por la crítica en un par de ocasiones, pero no ha sido profundizada en todo su alcance. Es lo que nos proponemos llevar a cabo en este trabajo, con el fin de desentrañar la peculiar idiosincrasia de esta obrita, que se sitúa entre dos épocas y dos poéticas: la medieval y la moderna.
Origin : Files produced by the author(s)