Study of the Relations between Instrumentist and Instrument in Computer Music
Résumé
Concerning our own approach, we first introduce a criticism of Acoustical Synthesis as a basic means to built a musical creation tool in the computer context. Our attitude starts with the hypothesis that the first approach of a musical creation tool must be of an instrumental kind. We suppose a first stage where are taken into account all the conditions which allow the human-machine relation to be an instrumental experimentation.
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