Physical Models for Music and Animated Image : The use of CORDIS-ANIMA in ESQUISSES a Music Film by ACROE

Claude Cadoz (1, 2, 3) , Annie Luciani (1, 2, 3) , Jean-Loup Florens (1, 2, 3)

1 ACROE - ACROE
2 LIFIA - Laboratoire d'Informatique Fondamentale et d'Intelligence Artificielle
3 IMAG - Institut d'Informatique et de Mathématiques Appliquées de Grenoble

The multisensorial and retroactive simulation technique of physical objects, applied to sound and animated images creation, was introduced by the ACROE in 1978. Consequently, two fundamental research axes concerning the application of computer science to artistic creation have been studied : the instrumental gesture in the frame of the creator-computer relation, which gave rise to the development of Force Feedback Gestural Transducers, and modeling and simulation of multisensorial physical objects, which gave rise to the development of the CORDIS-ANIMA system. ESQUISSES was ACROE's first creation performed thanks to CORDIS-ANIMA material.

Domaines: Synthèse d'image et réalité virtuelle [cs.GR]

Claude Cadoz, Annie Luciani, Jean-Loup Florens. Physical Models for Music and Animated Image : The use of CORDIS-ANIMA in ESQUISSES a Music Film by ACROE. International Computer Music Conference 1994, 1994, Aarhus, Denmark. pp.11-18. ⟨hal-00910509⟩