Professionally-produced music separation guided by covers
Résumé
This paper addresses the problem of demixing profession- ally produced music, i.e., recovering the musical source signals that compose a (2-channel stereo) commercial mix signal. Inspired by previous studies using MIDI synthe- sized or hummed signals as external references, we pro- pose to use the multitrack signals of a cover interpretation to guide the separation process with a relevant initializa- tion. This process is carried out within the framework of the multichannel convolutive NMF model and associated EM/MU estimation algorithms. Although subject to the limitations of the convolutive assumption, our experiments confirm the potential of using multitrack cover signals for source separation of commercial music.
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