Disruption, dissonance and embodiment: creativity, health and risk in music narratives

Norma Daykin (1)

1 UWE Bristol - University of the West of England [Bristol]

This article explores notions of creativity, health and risk, drawing on interviews with freelance musicians in the UK. The social context of insecure music work is explored along with hegemonic discourses of creativity in which hedonism, risk and sacrifice are connected. The study draws on narrative analysis in order to examine responses to disruptions that affect creative work. It also explores ongoing accounts of dissonance in music work. The research builds on the new musicology in exploring the cultural basis of creative ideals: these extend beyond the arts to influence many areas of social life. It highlights the way in which the exercise of aesthetic judgements, including judgements about the self, serve to include and exclude particular identities, valuing and diminishing their contributions. The study also builds on sociological debates concerning the regulatory functions of reflexivity and body management in the context of late modernity. Here, strategies of embodiment are also seen in relation to empowerment as challenges to hegemonic notions of creativity. Finally, the research builds on methodological debates surrounding narrative analysis, adopting a sociological approach that emphasizes the particular context of music work and identifies core narratives that reveal connections between everyday experiences and deeper cultural processes.

Mots clés: creativity; embodiment; health; music; narrative analysis; risk

Norma Daykin. Disruption, dissonance and embodiment: creativity, health and risk in music narratives. Health, 2005, 9 (1), pp.67-87. ⟨10.1177/1363459305048098⟩. ⟨hal-00571409⟩