All's Fair in Love and War?

Aileen Blaney (1)

1 Trinity College Dublin

This article investigates the textual strategies with which Maeve Murphy's addresses viewers in contemporary Northern Ireland. Borrowing Eric Santner's concept of `narrative fetishism', the analysis examines how the film's representation of the past obscures the historical realities experienced by female political prisoners in Armagh jail in the late 1970s and early 1980s. From this standpoint, its ethical relation to historical `truth' and responsibilities to its local audience are debated.

Mots clés: audience; ethics; female political prisoners; history; narrative fetishism; Northern Ireland

Aileen Blaney. All's Fair in Love and War?. European Journal of Women's Studies, 2008, 15 (4), pp.393-409. ⟨10.1177/1350506808095296⟩. ⟨hal-00571341⟩