« Vertigo’s British Invasion » : la revitalisation par les scénaristes britanniques des comic books grand public aux États-Unis (1983-2013)

Abstract : This thesis deals with the editorial and aesthetic history of the Vertigo imprint, which was created in 1993 by DC Comics, a US-American comics publisher. Specifically, the author considers the contribution of British scriptwriters employed by DC and then by Vertigo from the 1980s onwards. These creators played a tremendous role, both at the time of Vertigo's founding by editor Karen Berger and at a later date, as the imprint gathered widespread recognition. The genesis of the Vertigo imprint sheds light on the so-called “British Invasion”, that is to say the appearance within the American industry of several UK-based creator working for DC Comics. Spearheaded by Alan Moore, the “invasion” brought to the fore many of the most important scriptwriters of years to come, such as Grant Morrison and Neil Gaiman, whose Sandman series has been described as a major landmark in the recognition of the medium. In this context, the author writes a history of the label as the producer of a specific media culture that belongs to a given socio-historical context and is grounded in the practices and representations of the field's actors (producers and consumers in a broad sense). On the other hand, the awareness of the context in which the books are produced allows the author to examine the imprint's poetics, thus identifying the specificity of a “British school of writing” within the mainstream comics industry.
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Contributor : Isabelle Licari-Guillaume <>
Submitted on : Monday, January 8, 2018 - 12:49:08 PM
Last modification on : Tuesday, August 20, 2019 - 1:40:31 PM
Long-term archiving on : Saturday, May 5, 2018 - 2:09:51 PM

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Isabelle Licari-Guillaume. « Vertigo’s British Invasion » : la revitalisation par les scénaristes britanniques des comic books grand public aux États-Unis (1983-2013). Art et histoire de l'art. Université Bordeaux Montaigne, 2017. Français. ⟨tel-01677438⟩

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