C. Agon, J. Bresson, and G. Et-assayag, OpenMusic : Design and Implementation Aspects of a Visual Programming Language, 1st European Lisp Symposium (ELS'08), 2008.
URL : https://hal.archives-ouvertes.fr/hal-01106321

G. Assayag and J. Et-bresson, OpenMusic : de la composition à l'enseignement, 2006.
URL : https://hal.archives-ouvertes.fr/hal-01106238

J. Bresson, Processus compositionnels et opérateurs musicaux dans ML-Maquette ? Les outils de traitement du signal, Actes des Journées d'Informatique Musicale (JIM'07), 2007.

J. Bresson, ML-Maquette / Musique Lab 2, Proceedings of the International Computer Music Conference (ICMC'10), 2010.
URL : https://hal.archives-ouvertes.fr/hal-01161248

J. Bresson and C. Et-agon, Processing Sound and Music Description Data Using OpenMusic, Proceedings of the International Computer Music Conference, 2010.
URL : https://hal.archives-ouvertes.fr/hal-01161247

J. Bresson, C. Agon, and G. Et-assayag, OpenMusic 5 : A Cross-Platform release of the Computer-Assisted Composition Environment, Proceedings of the 10 th Brazilian Symposium on Computer Music (SBCM'05), 2005.
URL : https://hal.archives-ouvertes.fr/hal-01161332

J. Bresson, C. Agon, G. Et-assayag, and . Éditeurs, The OM Composer's Book (3 volumes) Editions Delatour, 2006.

J. Bresson, C. Agon, and G. Et-assayag, OpenMusic. Visual Programming Environment for Music Composition, Analysis and Research, ACM MultiMedia 2011 (OpenSource Software Competition), 2011.
DOI : 10.1145/2072298.2072434
URL : https://hal.archives-ouvertes.fr/hal-01075235

J. Bresson, D. Bouche, J. Garcia, T. Carpentier, F. Jacquemard et al., Projet EFFICACE : Développements et perspectives en composition assistée par ordinateur, Actes des Journées d'Informatique Musicale (JIM'15), 2015.

J. Bresson, F. Guédy, and G. Et-assayag, Musique Lab Maquette : Approche interactive des processus compositionnels pour la pédagogie musicale. Revue STICEF ? Sciences et Technologies de l'information et de la Communication pour l'Education et la Formation, 2006.

J. Bresson, F. Guédy, and G. Et-assayag, Musique Lab 2: From computer-aided composition to music education, Journal of Music, Technology and Education, vol.5, issue.3, 2013.
DOI : 10.1386/jmte.5.3.273_1
URL : https://hal.archives-ouvertes.fr/hal-01159540

F. Guédy, J. Bresson, and G. Et-assayag, Musique Lab 2 -Un environnement d'aide à la pédagogie musicale, Actes des Journées d'Informatique Musicale (JIM'07), 2007.

V. Puig, F. Guédy, M. Fingerhut, F. Serrì-ere, J. Bresson et al., Musique Lab 2 : A Three-Level Approach for Music Education at School, Proceedings of the International Computer Music Conference (ICMC'05), 2005.
URL : https://hal.archives-ouvertes.fr/hal-01106237

A. Vinjar and J. Et-bresson, OpenMusic on Linux, Linux Audio Conference (LAC'14), 2014.
URL : https://hal.archives-ouvertes.fr/hal-01075235

. Assayag, Les travaux présentés ici sont à rattacher à une thématique générale de recherche de l'équipe Représentations Musicales de l'ircam autour du temps, par exemple avec des projets comme Antescofo, OMax Partitions interactives etc. 2. Nous reviendrons sur ces caractéristiques d'exécution dans le chapitre 7. publications, 2006.

C. Agon and J. Et-bresson, Mixing Time Representations in a Programmable Score Editor, Proceedings of the Sound and Music Computing conference (SMC'07), 2007.
URL : https://hal.archives-ouvertes.fr/hal-01161375

J. Bresson and C. Et-agon, Temporal Control over Sound Synthesis Processes, Proceedings of the Sound and Music Computing conference (SMC'06), 2006.
URL : https://hal.archives-ouvertes.fr/hal-01161348

J. Bresson and C. Et-agon, Scores, Programs, and Time Representation: The Sheet Object in OpenMusic, Computer Music Journal, vol.20, issue.1, 2008.
DOI : 10.1162/comj.2006.30.4.67

J. Bresson and C. Et-agon, Visual programming and music score generation with OpenMusic, 2011 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC), 2011.
DOI : 10.1109/VLHCC.2011.6070415
URL : https://hal.archives-ouvertes.fr/hal-01161285

J. Bresson and J. Et-maccallum, Tempo Curving as a Framework for Interactive Computer- Aided Composition, Proc. Sound and Music Computing (SMC'15), 2015.
URL : https://hal.archives-ouvertes.fr/hal-01166166

J. Bresson and C. Et-pérez-sancho, New Framework for Score Segmentation and Analysis in OpenMusic, Proc. Sound and Music Computing conference (SMC'12), 2012.
URL : https://hal.archives-ouvertes.fr/hal-01161435

G. Carpentier and J. Et-bresson, Interacting with Symbol, Sound, and Feature Spaces in Orchid??e, a Computer-Aided Orchestration Environment, Computer Music Journal, vol.34, issue.1, 2010.
DOI : 10.1017/S1355771805000932

J. Chouvel, J. Bresson, and C. Et-agon, L'analyse musicale différencielle : principes, représentation et application à la structuralisation des entités musicales pour la musique électroacoustique, Electroacoustic Music Studies Network Conference (EMS'07), 2007.

C. De-paiva-santana, J. Bresson, and M. Et-andreatta, Modeling and Simulation : The Spectral CANON for CONLON Nancarrow by James Tenney, Proceedings of the Sound and Music Computing conference (SMC'13), 2013.
URL : https://hal.archives-ouvertes.fr/hal-01170066

C. De-paiva-santana, J. Manzolli, J. Bresson, and M. Et-andreatta, Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models, Electronic Visualisation and the Arts (EVA 2015), 2015.
DOI : 10.14236/ewic/eva2015.8
URL : https://hal.archives-ouvertes.fr/hal-01177456

F. Jacquemard, P. Donat-bouillud, and J. Et-bresson, A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting, Proceedings of Mathematics and Computation in Music, 2015.
DOI : 10.1145/2072298.2072434
URL : https://hal.archives-ouvertes.fr/hal-01138642

O. Migliore, N. Obin, and J. Et-bresson, Rap, ragga et punk français (1977-1992) : une analyse computationnelle, 2014.

A. Ycart, J. Bresson, F. Jacquemard, and S. Et-staworko, Une approche interactive pour la transcription rythmique dans OpenMusic, Journées d'Informatique Musicale, 2016.
URL : https://hal.archives-ouvertes.fr/hal-01298806

A. Ycart, F. Jacquemard, J. Bresson, and S. Et-staworko, A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration, Proceedings of the International Computer Music Conference (ICMC'16), 2016.
URL : https://hal.archives-ouvertes.fr/hal-01315689

J. Bresson, Spatial Structures Programming for Music, Spatial Computing Workshop (SCW), Valencia, Spain. Colocated with AAMAS'2012 (International Conference on Autonomous Agents and Multiagent Systems, 2012.
URL : https://hal.archives-ouvertes.fr/hal-01161314

J. Bresson, C. Agon, and M. Schumacher, Représentation des données de contrôle pour la spatialisation dans OpenMusic, Actes des Journées d'Informatique Musicale (JIM'10), 2010.

J. Bresson and M. Schumacher, Representation and Interchange of Sound Spatialization Data for Compositional Applications, Proceedings of the International Computer Music Conference (ICMC'11), 2011.
URL : https://hal.archives-ouvertes.fr/hal-01169015

X. Favory, J. Garcia, and J. Et-bresson, Trajectoires, Proceedings of the 27th Conference on l'Interaction Homme-Machine, IHM '15, 2015.
DOI : 10.1145/2820619.2820624
URL : https://hal.archives-ouvertes.fr/hal-01285852

J. Garcia, D. Bouche, and J. Et-bresson, Timed Sequences : A Framework for Computer- Aided Composition with Temporal Structures, Proceedings of the International Conference on Technologies for Music Notation and Representation (TENOR'17), 2017.
URL : https://hal.archives-ouvertes.fr/hal-01484077

J. Garcia, J. Bresson, and T. Et-carpentier, Towards interactive authoring tools for composing spatialization, 2015 IEEE Symposium on 3D User Interfaces (3DUI), 2015.
DOI : 10.1109/3DUI.2015.7131745
URL : https://hal.archives-ouvertes.fr/hal-01108709

J. Garcia, J. Bresson, M. Schumacher, T. Carpentier, and X. Et-favory, Tools and Applications for Interactive-Algorithmic Control of Sound Spatialization in OpenMusic, inSonic2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art, 2015.
URL : https://hal.archives-ouvertes.fr/hal-01226263

J. Garcia, T. Carpentier, and J. Et-bresson, Interactive-compositional Authoring of Sound Spatialization, Journal of New Music Research, vol.19, issue.1, 2017.
DOI : 10.1017/S1355771805000932
URL : https://hal.archives-ouvertes.fr/hal-01467080

J. Garcia, X. Favory, and J. Et-bresson, Trajectoires, Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems, CHI EA '16, 2016.
DOI : 10.1145/2851581.2890246
URL : https://hal.archives-ouvertes.fr/hal-01285852

M. Schumacher and J. Et-bresson, Compositional Control of Periphonic Sound Spatialization, 2nd International Symposium on Ambisonics and Spherical Acoustics, 2010.
URL : https://hal.archives-ouvertes.fr/hal-01161239

M. Schumacher and J. Et-bresson, Spatial Sound Synthesis in Computer-Aided Composition, 2010.
DOI : 10.1017/s1355771810000300
URL : https://hal.archives-ouvertes.fr/hal-00683469

I. Viaud-delmon, J. Bresson, F. Pachet, F. Bevilacqua, P. Roy et al., Eartoy : interactions ludiques par l'audition, Actes des Journées d'Informatique Musicale (JIM'07), 2007.
URL : https://hal.archives-ouvertes.fr/hal-01107112

D. Bouche and J. Et-bresson, Adaptive lookahead planning for performing music composition, International Conference on Automated Planning and Scheduling (ICAPS'15), 2015.
URL : https://hal.archives-ouvertes.fr/hal-01163294

D. Bouche and J. Et-bresson, Articulation dynamique de structures temporelles pour l'informatique musicale, éditeurs : Modélisation des Systèmes Réactifs (MSR'15), 2015.
URL : https://hal.archives-ouvertes.fr/hal-01224271

D. Bouche and J. Et-bresson, Planning and Scheduling Actions in a Computer-Aided Music Composition System, Proceedings of the ICAPS'15 Scheduling and Planning Applications woRKshop (SPARK), 2015.
URL : https://hal.archives-ouvertes.fr/hal-01163284

D. Bouche, J. Nika, A. Chechile, and J. Et-bresson, Computer-aided Composition of Musical Processes, Journal of New Music Research, vol.46, issue.1, 2017.
DOI : 10.2307/3679811
URL : https://hal.archives-ouvertes.fr/hal-01370792

J. Bresson, Reactive visual programs for computer-aided music composition, 2014 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC), 2014.
DOI : 10.1109/VLHCC.2014.6883037
URL : https://hal.archives-ouvertes.fr/hal-01055239

J. Bresson and J. Et-chadabe, Special Issue on Interactive Composition, Journal of New Music Research, vol.46, issue.1, 2017.

J. Bresson and J. Et-giavitto, A reactive extension of the OpenMusic visual programming language, Journal of Visual Languages & Computing, vol.25, issue.4, 2014.
DOI : 10.1016/j.jvlc.2014.03.003
URL : https://hal.archives-ouvertes.fr/hal-00965747

J. Bresson, J. Maccallum, and A. Et-freed, OM : Structured-Functional Communication between Computer Music Systems using OSC and Odot, ACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (FARM'16) ? Proceedings of the International Conference on Functional Programmaing (ICFP'16), 2016.
DOI : 10.1145/2975980.2975985
URL : https://hal.archives-ouvertes.fr/hal-01353794

J. Garcia, P. Leroux, and J. Et-bresson, pOM : Linking Pen Gestures to Computer-Aided Composition Processes, Joint International Computer Music / Sound and Music Computing Conferences (ICMC-SMC'14), 2014.
URL : https://hal.archives-ouvertes.fr/hal-01053295

J. Maccallum, R. Gottfried, I. Rostovtsev, J. Bresson, and A. Et-freed, Dynamic Message- Oriented Middleware with Open Sound Control and Odot, Proceedings of the International Computer Music Conference (ICMC'15), 2015.
URL : https://hal.archives-ouvertes.fr/hal-01165775

J. Nika, D. Bouche, J. Bresson, M. Chemillier, and G. Et-assayag, Guided improvisation as dynamic calls to an offline model, Proceeddings of the Sound and Music Computing conference (SMC'15), 2015.
URL : https://hal.archives-ouvertes.fr/hal-01184642

J. Bresson, C. Agon, G. Et-assayag, and . Éditeurs, The OM Composer's Book (3 volumes) Editions Delatour, 2006.

J. Bresson and J. Et-chadabe, Special Issue on Interactive Composition, Journal of New Music Research, vol.46, issue.1, 2017.

J. Bresson and D. Et-fober, éditeurs (2014) Informatique Musicale, de Technique et Science Informatiques (TSI

D. Fober, J. Bresson, P. Couprie, and Y. Et-geslin, Les nouveaux espaces de la notation musicale, Actes des Journées d'Informatique Musicale (JIM'15), 2015.
URL : https://hal.archives-ouvertes.fr/hal-01160759

A. Variazioni-su, M. Dans-ce-chapitre, and . Zaccagnini, compositeur italien, basé aux Etats Unis) décrit les algorithmes mis en oeuvre pour la composition de deux mouvements de sa pièce Variazioni su AlDo ClEmenti (2013) pour orchestre de chambre. Ceux-ci implémentent différents processus comme la simulation d'un phénomène de rebonds pour la génération de structures rythmiques, des effets de canon, et de manière plus générale, une exploration des rapports entre les états de chaos et d'équilibre dans les structures musicales. 2. Folk material transformations and elaborations in A Vida é Nossa

G. Gato, Portugal) décrit les procédures utilisées pour générer le matériau musical de sa pièce A Vida é Nossa (2013) pour orchestre d'instruments à vent. Ce matériau est dérivé d'extraits de musique populaire, et traité par différents algorithmes (concentration rythmique, mélodique, prolifération, Gato développe notamment une réflexion entre production algorithmique et interventions « manuelles » dans ces processus

P. Dans-ce-chapitre and . Boivin, France) modélise grâce à OpenMusic des processus et textures musicales balinaises (voir figure A.1) Les modèles créés permettent de produire du nouveau matériel par variation. Les structures musicales générées sont utilisées pour la composition de Tri Bhuwana, 2013.

M. Lane and . Canada, décrit dans ce chapitre un système modulaire de combinaisons de processus qu'il a conçu et implémenté dans OpenMusic Son application, ainsi que les opérations d'interprétation « post-calculatoires » effectuées sur le matériau musical produit, sont mis à exécution dans les pièces Sliding Apart (2013) et Short Pieces on Falling (2015) pour flûte, clarinette, piano, violon, et violoncelle. 5. Musicalising sonification: Image-to-music conversions using OpenMusic

A. Figure, 5: Figure extraite du chapitre [ 14] « Germination ». Maquette générale d'une représentation

C. Agon, OpenMusic : Un langage visuel pour la composition musicale assistée par ordinateur, Thèse de doctorat, 1998.

C. Agon and G. Et-assayag, OM: A Graphical Extension of CLOS using the MOP, Proceedings of the International Lisp Conference (ILC'03), 2003.
URL : https://hal.archives-ouvertes.fr/hal-01105847

C. Agon, G. Assayag, J. Fineberg, and C. Et-rueda, Kant: A critique of pure quantification, Proceedings of the International Computer Music Conference (ICMC'94), 1994.

C. Agon, K. Haddad, and G. Et-assayag, Representation and Rendering of Rhythmic Structures, Second International Conference on Web Delivering of Music, 2002.
DOI : 10.1109/wdm.2002.1176200
URL : https://hal.archives-ouvertes.fr/hal-01106194

C. Agon, M. Stroppa, and G. Et-assayag, High Level Control of Sound Synthesis in OpenMusic, Proceedings of the International Computer Music Conference (ICMC'00), 2000.
URL : https://hal.archives-ouvertes.fr/hal-01105534

A. Agostini and D. Et-ghisi, A Max Library for Musical Notation and Computer-Aided Composition, Computer Music Journal, vol.39, issue.2, 2015.
DOI : 10.1007/s00500-004-0389-0
URL : https://hal.archives-ouvertes.fr/hal-01264453

J. Ahrens, M. Geier, and S. Et-spors, The SoundScape Renderer: A Unified Spatial Audio Reproduction Framework for Arbitrary Rendering Methods, In Audio Engineering Society Convention, vol.124, 2008.

J. F. Allen, Maintaining Knowledge about Temporal Intervals, Communications of the ACM, vol.26, 1983.
DOI : 10.1145/182.358434
URL : http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.329.2647

A. Allombert, M. Desainte-catherine, J. Laralde, and G. Et-assayag, A system of interactive scores based on qualitative and quantitative temporal constraints, ARTECH 2008. Proceedings of the 4th International Conference on Digital Arts, 2008.
URL : https://hal.archives-ouvertes.fr/hal-00353601

T. Anders and E. Miranda, A Survey of Constraint Programming Systems for Modeling Music Theories and Composition, ACM Computing Surveys, vol.43, issue.4, 2011.

M. Andreatta and C. Et-agon, Implementing Algebraic Methods in OpenMusic, Proceedings of the International Computer Music Conference (ICMC'03), 2003.

G. Assayag, Algorithmes, langages et modèles pour la recherche musicale : de la composition à l'interaction, 2009.

G. Assayag, J. B. Smith, E. Chew, and G. Et-assayag, Improvising in Creative Symbolic Interaction, éditeurs : Mathematical Conversations: Mathematics and Computation in Music Performance and Composition, numéro 32 de Lecture Notes Series. World Scientific, 2016.
DOI : 10.1142/9789813140103_0004
URL : https://hal.archives-ouvertes.fr/hal-01378904

G. Assayag, C. Agon, J. Fineberg, and P. Et-hanappe, An Object Oriented Visual Environment for Musical Composition, Proceedings of the International Computer Music Conference (ICMC'97, 1997.
URL : https://hal.archives-ouvertes.fr/hal-01161427

G. Assayag, G. Bloch, M. Chemillier, A. Cont, and S. Et-dubnov, OMax brothers, Proceedings of the 1st ACM workshop on Audio and music computing multimedia , AMCMM '06, 2006.
DOI : 10.1145/1178723.1178742
URL : https://hal.archives-ouvertes.fr/hal-00839075

G. Assayag, M. Castellengo, and C. Et-malherbe, Functional integration of complex instrumental sounds in music writing, Proceedings of the International Computer Music Conference, 1985.

G. Assayag and C. Et-rueda, The Music Representation Project at Ircam, Proceedings of the International Computer Music Conference (ICMC'93), 1993.
URL : https://hal.archives-ouvertes.fr/hal-01157135

G. Assayag, C. Rueda, M. Laurson, C. Agon, and O. Et-delerue, Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic, Computer Music Journal, vol.23, issue.3, 1999.
DOI : 10.2307/3679811

G. Assayag and D. Et-timis, A toolbox for music notation, Proceedings of the International Computer Music Conference, 1986.

M. A. Baalman, Spatial Composition Techniques and Sound Spatialisation Technologies, Organised Sound, vol.36, issue.03, 2010.
DOI : 10.2307/3680992

P. Barbaud, La musique, discipline scientifique, 1968.

A. J. Berkhout, D. De-vries, and P. Vogel, Acoustic control by wave field synthesis, The Journal of the Acoustical Society of America, vol.93, issue.5, p.93, 1993.
DOI : 10.1121/1.405852

F. Bevilacqua, N. Schnell, N. Rasamimanana, B. Zamborlin, and F. Et-guédy, Online Gesture Analysis and Control of Audio Processing, éditeurs : Musical Robots and Interactive Multimodal Systems, 2011.
DOI : 10.1007/978-3-642-22291-7_8
URL : https://hal.archives-ouvertes.fr/hal-01106956

L. Bigo, Représentations symboliques musicales et calcul spatial, Thèse de doctorat, 2013.

A. Bonnet and C. Et-rueda, Situation: Un langage visuel basé sur les contraintes pour la composition musicale, Chemillier, M. et Pachet, F., éditeurs : Recherches et applications en informatique musicale. Hermes, 1998.

M. Boshernitsan and M. Et-downes, Visual Programming Languages: A Survey. Rapport technique CSD-04-1368, 1997.

R. Boulanger and . Éditeur, The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming, 2000.

L. Boynton, J. Duthen, Y. Potard, and X. Et-rodet, Adding a Graphical User Interface to FORMES, Proceedings of the International Computer Music Conference (ICMC'86), 1986.

M. Burnett, Visual Programming, Wiley Encyclopedia of Electrical and Electronics Engineering, 1999.
DOI : 10.1002/047134608X.W1707

M. Burnett, J. Atwood, R. Walpole-djang, J. Reichwein, H. Gottfried et al., Forms/3: A first-order visual language to explore the boundaries of the spreadsheet paradigm, Journal of Functional Programming, vol.11, issue.2, 2001.

M. Burnett and C. Et-scaffidi, End-user development éditeurs : The Encyclopedia of Human-Computer Interaction, Interaction Design Foundation, 2014.

M. M. Burnett and M. J. Et-baker, A Classification System for Visual Programming Languages, Journal of Visual Languages & Computing, vol.5, issue.3, 1994.
DOI : 10.1006/jvlc.1994.1015

A. Camurri, On the role of artificial intelligence in music research, Interface, vol.6, issue.2-3, 1990.
DOI : 10.1016/0004-3702(80)90015-6

B. Caramiaux, N. Montecchio, A. Tanaka, and F. Et-bevilacqua, Adaptive Gesture Recognition with Variation Estimation for Interactive Systems, ACM Transactions on Interactive Intelligent Systems, vol.4, issue.4, 2014.
DOI : 10.1145/2643204
URL : https://hal.archives-ouvertes.fr/hal-01266046

G. Carpentier, Approche computationnelle de l'orchestration musicale ? Optimisation multicritère sous contraintes de combinaisons instrumentales dans de grandes banques de sons, 2008.

G. Carpentier, G. Assayag, and E. Et-saint-james, Solving the musical orchestration problem using multiobjective constrained optimization with a genetic local search approach, Journal of Heuristics, vol.7, issue.2, 2010.
DOI : 10.1007/s10732-009-9113-7
URL : https://hal.archives-ouvertes.fr/hal-01176408

T. Carpentier, M. Noisternig, and O. Et-warusfel, Twenty Years of Ircam Spat: Looking Back, Looking Forward, Proceedings of the International Computer Music Conference, 2015.
URL : https://hal.archives-ouvertes.fr/hal-01247594

P. Cointe and X. Et-rodet, Formes, Proceedings of the 1984 ACM Symposium on LISP and functional programming , LFP '84, 1984.
DOI : 10.1145/800055.802024

H. Comon, M. Dauchet, R. Gilleron, F. Jacquemard, C. Oding et al., Tree Automata Techniques and Applications, 2007.

A. Cont, ANTESCOFO: Anticipatory Synchronization and Control of Interactive Parameters in Computer Music, Proceedings of the International Computer Music Conference (ICMC'08), 2008.
URL : https://hal.archives-ouvertes.fr/hal-00694803

D. Cope, Experiments in Musical Intelligence. A-R Editions, 1996.

P. T. Cox, F. R. Giles, and T. Et-pietrzykowski, Prograph: a step towards liberating programming from textual conditioning, [Proceedings] 1989 IEEE Workshop on Visual Languages, 1989.
DOI : 10.1109/WVL.1989.77057

J. Daniel, Représentation de champs acoustiques, applications à la transmission et à la reproduction de scènes sonores complexes dans un contexte multimedia, Thèse de doctorat, 2000.

R. B. Dannenberg, Machine Tongues XIX: Nyquist, a Language for Composition and Sound Synthesis, Computer Music Journal, vol.21, issue.3, 1997.
DOI : 10.2307/3681013

R. B. Dannenberg, P. Desain, and H. Et-honing, Programming Language Design for Music, éditeurs : Musical Signal Processing. Swets and Zeitlinger, 1997.

R. B. Dannenberg, P. Mcavinney, and D. Et-rubine, Arctic: A Functional Language for Real-Time Systems, Computer Music Journal, vol.10, issue.4, 1986.
DOI : 10.2307/3680098

A. Dehon, J. Giavitto, and F. Et-gruau, Computing Media Languages for Space- Oriented Computation, Dagstuhl Seminar Proceedings ? 06361 Executive Report, Dagstuhl, Germany. Internationales Begegnungs und Forschungszentrum für Informatik (IBFI), 2007.

O. Delerue, Spatialisation du son et programmation par contraintes : le système MusicSpace, Thèse de doctorat, 2004.

O. Delerue and C. Et-agon, Openmusic + musicspace = openspace, Actes de Journées d'Informatique Musicale (JIM'99), 1999.

P. Depalle, X. Rodet, T. Galas, and G. Et-eckel, Generalized Diphone Control, Proceedings of the International Computer Music Conference (ICMC'93), 1993.

N. Dershowitz and J. Et-jouannaud, Rewrite systems éditeur : Handbook of Theoretical Computer Science, volume Volume B: Formal Models and Semantics, In van Leeuwen, J, vol.6, pp.243-320, 1990.

P. Desain, Graphical Programming in Computer Music ? A Proposal, Proceedings of the International Computer Music Conference (ICMC'86), 1986.

P. Desain and H. Et-honing, The Quantization Problem: Traditional and Connectionist Approaches éditeurs : Understanding Music with AI: Perspectives on Music Cognition, 1992.

M. Desainte-catherine and A. Et-allombert, Interactive scores: A model for specifying temporal relations between interactive and static events, Journal of New Music Research, vol.34, issue.4, 2005.
DOI : 10.1109/5.24143
URL : https://hal.archives-ouvertes.fr/hal-01106191

M. E. Desjardins, E. H. Jr, C. L. Ortiz, and M. J. Et-wolverton, A Survey of Research in Distributed, Continual Planning, 1999.

J. Echeveste, A. Cont, J. Giavitto, and F. Et-jacquemard, Operational semantics of a domain specific language for real time musician???computer interaction, Discrete Event Dynamic Systems, vol.7, issue.9, 2013.
DOI : 10.1007/s10626-013-0166-2
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