J. Codage-de-la-couche-haute-par and E. , comparaison du PSNR calculé sur les images de sous-bandes temporelles, séquence Foremanàman`manà 512kbps, BF=Basses Fréquences, HF1=Premì eres Hautes Fréquences, HF2=Hautes Fréquences niveau 2, p.116

J. Codage-de-la-couche-haute-par and E. , comparaison du PSNR calculé sur les images de sous-bandes temporelles, séquence Mobile And CalendaràCalendar`Calendarà 512kbps, p.116

J. Codage-de-la-couche-haute-par and E. , comparaison de PSNR texture, séquence ForemanàForemanà 512kbps, p.117

S. St and S. , 50 kbit/s, image 50 et image 75, p.120

S. St and S. , 500 kbit/s, image 50 et image 75, p.121

S. Tempête, 128 kbit/s pour notre approche et H264 JM 4.2 et 256 kbit/s pour H264 JM 8.1, image 100 et image 192, p.122

. La-figure-5, La ligne de rupture est dessinée en trait gras. La ligne de rupture permet de briser la structure du maillage Lorsque les deux objets de part et d'autre de la ligne bouge en mouvement contraire, le maillage se brise et les mailles accrochées de part et d'autre de la ligne de rupture bougent indépendamment

. Dans, auteur distingue trois types de lignes de rupture: ? type 1: les lignes de rupture externes, qui correspondent aux contours d'un objet. Ce type de lignes de rupture permet de gérer les apparitions

. Si-le-noeud-est-visible, les valeurs stockées permettent d'effectuer la compensation en mouvement dans la zone. Si le noeud est invisible, les valeurs stockées permettent d'enregistrer l

. Dans, auteur ne traite que les lignes de rupture externes

. La-figure-7, 9 montre le maillage relatifàrelatif`relatifà larrì ere-plan et la figure 7.10 montre le maillage relatifàrelatif`relatifà l'avant-plan. Les mailles en vert sont les points d'ancrage des deux remaillages Gestion des zones d'occlusions: résultats et perspectives a, Image, vol.8, p.16

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