B. L. Vercoe, W. G. Gardner, and E. D. Scheirer, Structured audio: creation, transmission, and rendering of parametric sound representations, Proceedings of IEEE, pp.922-939, 1998.
DOI : 10.1109/5.664280

H. Purnhagen, Advances in parametric audio coding, Proceedings of the 1999 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics. WASPAA'99 (Cat. No.99TH8452), 1999.
DOI : 10.1109/ASPAA.1999.810842

J. Herre, Audio coding -an all-round entertainment technology, Audio Engineering Society 22nd International Conference on Virtual, Synthetic and Entertainment Audio (AES'22), pp.139-148, 2002.

H. Fouad, J. K. Hahn, and J. A. Ballas, Perceptually based scheduling algorithms for real-time synthesis of complex sonic environments, proceedings of the 1997 International Conference on Auditory Display (ICAD'97 Xerox Palo Alto Research Center, 1997.

W. Straßer and M. Wand, Multi-resolution sound rendering, Symp. Point-Based Graphics, 2004.

N. Tsingos, E. Gallo, and G. Drettakis, Perceptual audio rendering of complex virtual environments, Proceedings of SIGGRAPH'04), 2004.
URL : https://hal.archives-ouvertes.fr/inria-00071853

M. Lagrange and S. Marchand, Real-time additive synthesis of sound by taking advantage of psychoacoustics, Proceedings of the COST G-6 Conference on Digital Audio Effects (DAFX-01), 2001.
URL : https://hal.archives-ouvertes.fr/hal-00308183

K. Van-den-doel, D. K. Pai, T. Adam, L. Kortchmar, and K. Pichora-fuller, Measurements of perceptual quality of contact sound models, Proceedings of the International Conference on Auditory Display, pp.345-349, 2002.

K. Van-den-doel, D. Knott, and D. K. Pai, Interactive simulation of complex audio-visual scenes, Presence: Teleoperators and Virtual Environments, vol.13, issue.1, 2004.

A. B. Touimi, A generic framework for filtering in subbanddomain, Proc. of the Ninth DSP Workshop (DSP2000), 2000.

E. Zwicker, Dependence of post???masking on masker duration and its relation to temporal effects in loudness, The Journal of the Acoustical Society of America, vol.75, issue.1, pp.219-223, 1984.
DOI : 10.1121/1.390398

F. Baumgarte, A physiological ear model for auditory masking applicable to perceptual coding, Proc. of 103rd Convention of the Audio Engineering Society, 1997.

R. Graham, Use of auditory icons as emergency warnings: evaluation within a vehicle collision avoidance application, Ergonomics, vol.27, issue.9, pp.1233-1248, 1999.
DOI : 10.1037/0096-1523.10.5.704

N. A. Stanton and J. Edworthy, Auditory warnings and displays: an overview, Human Factors in Auditory Warnings, 1999.

B. C. Moore, B. Glasberg, T. Baer, E. Zwicker, H. Fastl et al., A model for the prediction of thresholds, loudness and partial loudness, Program for calculating loudness according to din 45631, pp.224-240, 1991.

T. Painter and A. Spanias, A review of algorithms for perceptual coding of digital audio signals, Proceedings of 13th International Conference on Digital Signal Processing, pp.179-205, 1997.
DOI : 10.1109/ICDSP.1997.628010

K. Brandenburg, mp3 and AAC explained, AES 17th International Conference on High-Quality Audio Coding, 1999.

E. Zwicker and H. Fastl, Psychoacoustics: Facts and Models, 1999.
DOI : 10.1007/978-3-662-09562-1

S. Mcadams, M. Botte, and C. Drake, Auditory continuity and loudness computationa), The Journal of the Acoustical Society of America, vol.103, issue.3, pp.1580-1591, 1998.
DOI : 10.1121/1.421293

D. C. Howell, Statistical methods for psychology, 1992.

C. Grewin, Methods for quality assessment of low bit-rate audio codecs, proceedings of the 12th AES conference, pp.97-107, 1993.

E. Skovenborg and S. Nielsen, Evaluation of different loudness models with music and speech material, Proc. of 117th Convention of the Audio Engineering Society, 2004.

F. Pachet and O. Delerue, On-the-fly multi track mixing, Proceedings of the 109 th Audio Engineering Society Convention, 2000.