Vincere (Marco Bellocchio) and Milk (Gus Van Sant): Hybrid Fictions and Dissensus

Sarah Leperchey (1)

1 UMR 8218 ACTE - Institut ACTE - Arts, Créations, Théories, Esthétiques

[...]From a complementary perspective, Sarah Leperchey’s essay expands on the notion of film’s bastardisation of reality by analysing the blend between the scopic regimes of archive and fiction in two contemporary biopics, Harvey Milk and Vincere.[...]

Domaines: Art et histoire de l'art

Sarah Leperchey. Vincere (Marco Bellocchio) and Milk (Gus Van Sant): Hybrid Fictions and Dissensus. Philippe Ortoli; Sébastien Lefait. In Praise of Cinematic Bastardy, Cambridge Scholars Publishin, pp.189-197, 2012, 978-1-443-83782-8. ⟨hal-03335494⟩