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Vers une injonction à la participation ? Étude de cas autour du rôle de la photographie pour la RMN -Grand Palais

Abstract : This contribution aims to study the changes in participation for museums: starting from a political anchorage in the 1970s, the participatory paradigm now seems to be articulated with communication and marketing strategies. Our analysis is based on a research field carried out from 2016 to 2018 at the RMN - Grand Palais (Paris): during this period, we were particularly interested in the role of photography, stimulating public participation through different devices (photomatons, flat screens for visualizing photographic participation, immersive scenographies). This study is based on a theoretical approach borrowing from semio-pragmatic (Jeanneret, Souchier, 2005), socio-semiotics (Saemmer, 2015) and communication anthropology (Winkin, 2001): it will seek to explore some discourses that are injunctive to participation in order to better understand the institutional expectations regarding the audience’s photographic practices and digital platforms.
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Conference papers
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https://hal.archives-ouvertes.fr/hal-03262911
Contributor : Sébastien Appiotti Connect in order to contact the contributor
Submitted on : Wednesday, June 16, 2021 - 6:02:52 PM
Last modification on : Sunday, June 27, 2021 - 3:21:35 AM
Long-term archiving on: : Friday, September 17, 2021 - 7:25:08 PM

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  • HAL Id : hal-03262911, version 1

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Sébastien Appiotti. Vers une injonction à la participation ? Étude de cas autour du rôle de la photographie pour la RMN -Grand Palais. La Fabrique de la participation culturelle. Plateformes numériques et enjeux démocratiques, Nov 2020, Nanterre, France. ⟨hal-03262911⟩

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