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Three Avant-Garde Masterpieces: Atmospheres, Aura, Stimmung. Can Music Suggest an Original Interpretation of These Themes?

Giuseppe Gavazza 1
1 CRESSON - Centre de recherche sur l'espace sonore et l'environnement urbain
AAU - Ambiances, Architectures, Urbanités : UMR 1563
Abstract : Thinking about the predictable in-presence 4th International Congress on Ambiances 2020 I wrote: “I will propose to the listener some significant fragments of these three compositions to trigger a discussion that will focus on the core of my intervention: single-word titles that have implications that reach far beyond mere musical fact. My question will be: ‘Can music offer an original interpretation of these themes suggesting new research perspectives?’” An unpredictable situation forces to rearrange the sequence: the proceedings will precede the other actions. My question remains and, since I am a composer, I feel comfortable purposing this text as the draft of a score. A score is an imagined memory of a musical event to come. I propose here a two steps participative process: a de-composition and a re-composition.
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https://hal.archives-ouvertes.fr/hal-03220315
Contributor : Françoise Acquier <>
Submitted on : Tuesday, May 25, 2021 - 9:56:46 AM
Last modification on : Monday, September 27, 2021 - 11:19:43 AM
Long-term archiving on: : Thursday, August 26, 2021 - 6:22:31 PM

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Giuseppe Gavazza. Three Avant-Garde Masterpieces: Atmospheres, Aura, Stimmung. Can Music Suggest an Original Interpretation of These Themes?. Proceedings of the 4th International Congress on Ambiances, Alloaesthesia: Senses, Inventions, Worlds, Réseau International Ambiances, Dec 2020, e-conference, France. pp. 302-307, ⟨10.48537/hal-03220315⟩. ⟨hal-03220315⟩

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