Citations: The Renaissance Imitation Mass (CRIM)

Richard Freedman (1, 2, 3) , Philippe Vendrix (3) , David Fiala (3) , Micah Walter (4) , Emilio Sanfilippo (3) , Raffaele Viglianti (5) , Daniel Russo-Batterham (6)

1 Le Studium Loire Valley Institute for Advanced Studies, 45000 Orléans, France
2 Haverford College
3 UT - Université de Tours
4 Smith College [Northampton]
5 University of Maryland [Baltimore]
6 University of Melbourne

Building upon recent developments in digital music scholarship, Citations: The Renaissance Imitation Mass investigates similarity and borrowing in music on a massive but detailed scale, using digital tools that only a few years ago were beyond our grasp. Our work focuses on the craft of musical counterpoint, and how musicians of the sixteenth century transformed pre-existing pieces to make intricate cyclic compositions from familiar sounds. The CRIM team, an accomplished group of scholars and data scientists active in Europe, North America, and Australia, will assemble a diverse collaborative network of music scholars and students at colleges, music schools and university graduate programs, extending the reach of digital scholarship to new users, and building new communities.

Mots clés: Renaissance Music; Counterpoint; Data Analysis; Digital Humanities

Domaines: Sciences de l'Homme et Société; Musique, musicologie et arts de la scène

Richard Freedman, Philippe Vendrix, David Fiala, Micah Walter, Emilio Sanfilippo, et al.. Citations: The Renaissance Imitation Mass (CRIM). 2020, pp.22-26. ⟨10.34846/le-studium.188.05.fr.01-2020⟩. ⟨hal-03219135⟩