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Descriptivité et émicité du documentaire : les choix de réalisation d’un film sur le travail domestique

Abstract : At every stage of the filmmaking process, the director is faced with choices ; taking into consideration the various obstacles and opportunities present, s/he chooses the options that best serve his or her purpose. This article examines the choices made in Nice, bonne au Brésil, a documentary that revolves around domestic work performed by a Brazilian live-in maid. The description of the filmmaking strategy illustrates how the director explored, filmed and shared this working experience and, in particular, the way she captured and staged her descriptive and emic points of view.
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https://hal.archives-ouvertes.fr/hal-02967404
Contributor : Armelle Jacquemot Connect in order to contact the contributor
Submitted on : Wednesday, October 14, 2020 - 9:55:12 PM
Last modification on : Tuesday, November 22, 2022 - 2:26:16 PM

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Armelle Jacquemot. Descriptivité et émicité du documentaire : les choix de réalisation d’un film sur le travail domestique. ethnographiques.org, 2012, Filmer le travail : chercher, montrer, démontrer, 25, https://www.ethnographiques.org/2012/Giglio-Jacquemot. ⟨hal-02967404⟩

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