HAL will be down for maintenance from Friday, June 10 at 4pm through Monday, June 13 at 9am. More information
Skip to Main content Skip to Navigation
Journal articles

Comment devient-on vaudevilliste ?

Abstract : The low literary requirements of vaudeville would seem to make it accessible to any dramatist who might turn their hand to it. Only a minimal rhetorical apparatus seems necessary to organize an action, arrange verses, and scatter a work with a few witty remarks. Does vaudeville, then, attract a particular type of artist who could compensate for cultural shortcomings with something else, something that could be learned outside the classroom? Despite the diversity of the numerous vaudevillians in the nineteenth century, it is possible to establish a few model pathways.
Complete list of metadata

https://hal.archives-ouvertes.fr/hal-02924201
Contributor : Classiques Garnier Connect in order to contact the contributor
Submitted on : Thursday, August 27, 2020 - 5:40:51 PM
Last modification on : Tuesday, May 11, 2021 - 5:04:18 PM

Identifiers

Citation

Olivier Barais. Comment devient-on vaudevilliste ?. Revue d’Histoire littéraire de la France, Classiques Garnier, 2020, Revue d’Histoire littéraire de la France 3 – 2020, 120e année - n° 3 Formations d'écrivains au xixe siècle. Écoles, sociabilités, autodidaxies, 3 – 2020 (n° 3), pp.525-536. ⟨10.15122/isbn.978-2-406-10744-6.p.0013⟩. ⟨hal-02924201⟩

Share

Metrics

Record views

39