« La philosophie chinoise à travers l’esthétique et les arts : la diaspora chinoise en France au 20e siècle et le développement de la philosophie chinoise » (Cong meixue yu yishu fanchou tantao Zhongguo zhexue wenti : qiantan ershi shijimo faji Huaxixuezhe dui Zhongguo zhexue zai Faguo de fazhan) ; "Chinese Philosophy in France through Aesthetics and the Arts: The Chinese Diaspora in France at the End of 20th Century and the Development of Chinese Philosophy" ”從美學與藝術範疇探討中國哲學問題：淺談二十世紀末法籍華學者對中國哲學在法國的發展“
Résumé
This paper shows how Chinese philosophy was discovered by a very large audience in France via aesthetics, through the best-known works of a diasporic Chinese figure, François Cheng, and then how Chinese philosophy was put into practice in France by another diasporic Chinese figure, Hsiung Ping-Ming. The paper explains the role of aesthetics and the arts relative to philosophy. It analyzes different types of methodologies with reference to the Western path chosen by François Cheng, one nevertheless different from that of Western scholars, and to the Chinese path chosen by Hsiung Ping-Ming, which remains specific to the latter, compared to that of other Chinese scholars.