A. Bandura and R. H. Walters, Social learning theory, vol.1, 1977.

. Bandura-a, Social foundations of thought and action: a social cognitive theory, 1986.

. Bordwell-d and . Carroll-n, Post-Theory: Reconstructing Film Studies, 1996.

. Madison, Fiction and emotion: A study in aesthetics and the philosophy of mind, BORUAH et BIJOY H, 1988.

W. Buckland, Critique of poor reason, » Screen, vol.30, pp.80-103, 1989.

B. Brecht, B. J. Dans, and V. P. Et, « Enquête sur l'étrange nature du héros de série télévisée, Questions from a worker who reads. » Retrieved, 7. VALKENBURG et BRYANT P., « Fantasy and Imagination, vol.165, pp.181-214, 1935.

. Coëgnarts-m, « Cinema and the embodied mind: metaphor and simulation in understanding meaning in films, vol.3, p.17067, 2017.

J. Cohen, « Defining identification: A theoretical look at the identification of audiences with media characters, vol.4, pp.245-264, 2001.

J. Decety, Shared representations between self and other: a social cognitive neuroscience view ». Trends Cognitive Science, vol.7, pp.527-533, 2003.

S. Eisenstein, Film Form: Essays in Film Theory, 1949.

. Etzersdorfer-e.-et and . Sonneck-g, « Preventing suicide by influencing massmedia reporting: the Viennese experience 1980-1996 », Arch Suicide Res, vol.4, issue.1, pp.64-74, 1998.

. Ferguson-cj, 13 Reasons Why Not: A Methodological and Meta-Analytic Review of Evidence Regarding Suicide Contagion by Fictional Media, Suicide and Life-Threatening Behavior, vol.12, p.22, 2018.

. Freud-s, Original work published 1940. An outline of psychoanalysis, 1989.

N. H. Frijda, Aesthetic emotions and reality, p.1546, 1989.

. Gallese-v, « Embodied Simulation: From Neurons to Phenomenal Experience, Phenomenology and the Cognitive Sciences, vol.4, pp.23-48, 2005.

C. Gauld, M. Wathelet, N. Pauwels, T. Bougerol, and C. E. Notredame, , 2019.

, « The MoVIES : a grid to estimate the risk of suicide contagion conveyed by the videographic representations of suicide. », International Journal of Environmental Research and Public Health

C. Gauld, « Fiction et identification : de la narratologie à la sémiotique contemporaine », Cahiers de Narratologie, accepté

, La lecture de la théorie à la pratique, GIASSON, p.277, 2013.

. Gould-s and R. Shaffer, « The impact of suicide in television movies. Evidence of imitation, The New England Journal of Medicine, vol.8, p.690, 1986.

. Gould-ms and J. Cote, Evaluating iatrogenic risk of youth suicide screening programs: a randomized controlled trial », JAMA, vol.293, issue.13, pp.1635-1678, 2005.

. Greimas-r, « Un problème de sémiotique narrative : les objets de valeur », Langages, pp.13-35, 1973.

. Grodal-t, Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition, 1997.

J. J. Gross and R. W. Levenson, Emotion elicitation using films. » Cognition & emotion, vol.9, pp.87-108, 1995.

S. Heath, « The Work of Christian Metz ». Cinema and Semiotics, 2. Seft, pp.138-161, 1981.

L. R. Huesmann, Psychological processes promoting the relation between exposure to media violence and aggressive behavior by the viewer, Journal of social issues, vol.42, pp.125-139, 1986.

. Klein-m, Love, Guilt and Reparation: And Other Works, 1921.

. Kracauer-s, From Caligari to Hitler. Paris, L'âge d'homme, 1973.

H. Leitenberg and K. H. , Sexual fantasy. » Psychological bulletin 117.3: 469. LEMPERT, M, p.43, 1995.

. Metz-c.-;-niederkrotenthaler-t and G. Sonneck, Problems of Denotation in the Fiction Film. Film Language: A Semiotics of the Cinema, Soc Sci Med, vol.69, issue.7, pp.1085-90, 1974.

S. Pinker, The better angels of our nature: Why violence has declined, 2011.

R. Pirkis and B. Warwick, « Suicide and the Media Part I: Reportage in nonfictional media, Blood Crisis, vol.22, issue.4, pp.146-154, 2001.

J. Pirkis, Suicide and the media, Psychiatry, vol.8, issue.7, pp.269-271, 2009.

J. Pirkis and W. Blood, Suicide and the news and information media, 2010.

J. W. Polichak and J. Gerrig, Get up and win: Participatory responses to narrative. » Narrative impact: Social and cognitive foundations, vol.71, p.95, 2002.

B. Poreau, « Le commensalisme: un concept controversé. L'exemple de Nereis fucata, vol.80, pp.101-107, 2011.

. Ricoeur, Temps et Récit, vol.I, 1983.

T. Smy, Three-dimensional simulation of film microstructure produced by glancing angle deposition, Journal of Vacuum Science & Technology A: Vacuum, Surfaces, and Films, vol.18, pp.2507-2512, 2000.

M. Suckfüll and S. , « Modes of reception for fictional films, » Communications, vol.34, pp.361-384, 2009.

S. Tisseron, Du livre à l'écran: l'indispensable complémentarité. » L'information psychiatrique, vol.90, pp.97-102, 2014.

B. Till, T. Niederkrotenthaler, A. Herberth, M. Voracek, G. Sonneck et al., « Personal Suicidality in Reception and Identification With Suicidal Film Characters, Journal of Media Psychology. TILL B., NIEDERKROTENTHALER T, vol.37, issue.4, pp.383-92, 2011.

M. Tousignant, The impact of media coverage of the suicide of a wellknown Quebec reporter: the case of Gaetan Girouard. » Social science & medicine 60, vol.9, pp.1919-1926, 2005.

N. Van-sijill, E. Paris, V. T. Visch, E. S. Tan, and D. Molenaar, Les techniques narratives du cinéma : Les 100 plus grands procédés que tout réalisateur doit connaître, » Cognition and Emotion, vol.24, pp.1439-1445, 2006.

P. Vorderer, « Toward a psychological theory of suspense. » Suspense: Conceptualizations, theoretical analyses, and empirical explorations 233, p.254, 1996.

R. Wollheim, Identification and imagination. Freud: A collection of critical essays, pp.172-195, 1974.

P. Yip and T. S. Lee-d, « Charcoal-burning suicides and strategies for prevention, Crisis, vol.28, pp.21-27, 2007.

D. Zillmann, « Empathy: Affect from bearing witness to the emotions of others. » Responding to the screen: Reception and reaction processes, pp.135-167, 1991.