Making an Interactive Dance Piece: Tensions in Integrating Technology in Art

Sarah Alaoui 1
1 EX-SITU - Extreme Interaction
LRI - Laboratoire de Recherche en Informatique, Inria Saclay - Ile de France
Abstract : I describe the research and creation journey of a choreographic dance piece called SKIN that I made with another choreographer, 3 dancers, 1 musician and 1 developer. The performance integrates interactive technologies mapping inner movement to sound and video on stage. We followed a research though practice method that includes iterative cycles of choreographic practice and interaction design. This generated a set of research questions that I address through experience explicitation interviews of both audience and creative team members. The interviews allow me to investigate the lived experience of making and attending the performance and the emergent relationships between dance, media and interaction as well as the tensions and negotiations that emerged from integrating technology in art. I discuss my approach as anti-solutionist and argue for more openness in HCI to allow artists to contribute to knowledge by embracing the messiness of their practice.
Document type :
Conference papers
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https://hal.inria.fr/hal-02434441
Contributor : Theophanis Tsandilas <>
Submitted on : Friday, January 10, 2020 - 10:02:09 AM
Last modification on : Thursday, January 16, 2020 - 10:58:58 AM

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  • HAL Id : hal-02434441, version 1

Citation

Sarah Alaoui. Making an Interactive Dance Piece: Tensions in Integrating Technology in Art. DIS 2019 - ACM Designing Interactive Systems Conference, Jun 2019, San Diego, United States. pp.1195-1208. ⟨hal-02434441⟩

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