K. Sarah-fdili-alaoui, T. Carlson, and . Schiphorst, Choreography as mediated through compositional tools for movement: Constructing a historical perspective, Proceedings of the 2014 International Workshop on Movement and Computing, p.1, 2014.

A. Alpern, Techniques for algorithmic composition of music, p.120, 1995.

G. Assayag, C. Rueda, M. Laurson, C. Agon, and O. Delerue, Computer-assisted composition at IRCAM: From PatchWork to OpenMusic, Computer Music Journal, vol.23, pp.59-72, 1999.

, Music Notation Software -Sibelius, 2019.

K. Barad, Posthumanist performativity: Toward an understanding of how matter comes to matter, Signs: Journal of women in culture and society, vol.28, pp.801-831, 2003.

A. Beth and . Bechky, Sharing meaning across occupational communities: The transformation of understanding on a production floor, Organization science, vol.14, pp.312-330, 2003.

G. Booth and M. Gurevich, Collaborative composition and socially constituted instruments: Ensemble laptop performance through the lens of ethnography, NIME, 2012.

V. Braun and V. Clarke, Using thematic analysis in psychol-ogy, Qualitative Research in Psychology, vol.3, issue.2, pp.77-101, 2006.

A. S. William and . Buxton, A composer's introduction to computer music, Journal of New Music Research, vol.6, pp.57-71, 1977.

A. Erin, D. Carroll, C. Lottridge, V. Latulipe, M. Singh et al., Bodies in critique: a technological intervention in the dance production process, Proceedings of the ACM 2012 conference on Computer Supported Cooperative Work, pp.705-714, 2012.

K. Knorr and C. , Epistemic cultures: How the sciences make knowledge, 2009.

M. Chalmers and I. Maccoll, Seamful and seamless design in ubiquitous computing, Workshop at the crossroads: The interaction of HCI and systems issues in UbiComp, vol.8, 2003.

A. Cheatle, J. Steven, and . Jackson, Digital entanglements: Craft, computation and collaboration in fine art furniture production, Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing, pp.958-968, 2015.

M. Ciolfi-felice, S. F. Alaoui, and W. E. Mackay, How Do Choreographers Craft Dance?: Designing for a Choreographer-Technology Partnership, Proceedings of the 3rd International Symposium on Movement and Computing, p.20, 2016.
URL : https://hal.archives-ouvertes.fr/hal-01438682

M. Leavitt-cohn, S. E. Sim, and C. P. Lee, What counts as software process? Negotiating the boundary of software work through artifacts and conversation, Computer Supported Cooperative Work, vol.18, p.401, 2009.

D. Collins, A synthesis process model of creative thinking in music composition, Psychology of music, vol.33, pp.193-216, 2005.

T. Coughlan and P. Johnson, Interaction in creative tasks, Proceedings of the SIGCHI conference on Human Factors in computing systems, pp.531-540, 2006.

B. Matthew and . Crawford, Shop class as soulcraft, The New Atlantis, vol.13, pp.7-24, 2006.

B. Ewenstein and J. Whyte, Knowledge practices in design: the role of visual representations asepistemic objects'. Organization studies, vol.30, pp.7-30, 2009.

F. Sarah-fdili-alaoui, B. Bevilacqua, C. Bermudez-pascual, and . Jacquemin, Dance interaction with physical model visuals based on movement qualities, International Journal of Arts and Technology, vol.6, pp.357-387, 2013.

M. Feinberg, Material Vision, Proceedings of the 2017 ACM Conference on Computer Supported Cooperative Work and Social Computing, pp.604-617, 2017.

G. Fischer, E. Giaccardi, H. Eden, M. Sugimoto, and Y. Ye, Beyond binary choices: Integrating individual and social creativity, International Journal of Human-Computer Studies, vol.63, pp.482-512, 2005.

C. John and . Flanagan, The critical incident technique, Psychological bulletin, vol.51, p.327, 1954.

J. Garcia, T. Tsandilas, C. Agon, and W. Mackay, Inksplorer: Exploring musical ideas on paper and computer, New Interfaces for Musical Expression, 2011.
URL : https://hal.archives-ouvertes.fr/inria-00600083

J. Garcia, T. Tsandilas, C. Agon, and W. Mackay, Interactive paper substrates to support musical creation, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp.1825-1828, 2012.
URL : https://hal.archives-ouvertes.fr/hal-00664334

M. Greene, Releasing the imagination: Essays on education, the arts, and social change, 1995.

K. Henderson, Flexible sketches and inflexible data bases: Visual communication, conscription devices, and boundary objects in design engineering, Technology, & Human Values, vol.16, pp.448-473, 1991.

K. Henderson, On line and on paper: Visual representations, visual culture, and computer graphics in design engineering, 1998.

S. Hsueh, S. F. Alaoui, and W. E. Mackay, Understanding Kinaesthetic Creativity in Dance, Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, p.511, 2019.
URL : https://hal.archives-ouvertes.fr/hal-02430681

T. Ingold, The temporality of the landscape, World archaeology, vol.25, pp.152-174, 1993.

T. Ingold, Materials against materiality. Archaeological dialogues, vol.14, pp.1-16, 2007.

T. Ingold, The textility of making, Cambridge Journal of Economics, vol.34, pp.91-102, 2009.

T. Ingold, Bringing things to life: Creative entanglements in a world of materials, World, vol.44, pp.1-25, 2010.

J. Ippolito, Ten myths of Internet art, Leonardo, vol.35, pp.485-498, 2002.

J. Steven, L. Jackson, and . Kang, Breakdown, obsolescence and reuse: HCI and the art of repair, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp.449-458, 2014.

G. Jacucci and I. Wagner, Performative roles of materiality for collective creativity, Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition. ACM, pp.73-82, 2007.

B. Jordan and A. Henderson, Interaction analysis: Foundations and practice. The journal of the learning sciences, vol.4, pp.39-103, 1995.

L. Laewoo, . Kang, J. Steven, P. Jackson, and . Sengers, Intermodulation: Improvisation and Collaborative Art Practice for HCI, Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, p.160, 2018.

D. Kirsh, Thinking with the body, 2010.

D. Kirsh, Creative cognition in choreography, 2011.

N. Klemp, R. Mcdermott, J. Raley, M. Thibeault, K. Powell et al., Plans, takes, and mis-takes, Outlines. Critical Practice Studies, vol.10, pp.4-21, 2008.

P. Lansky, A view from the bus: when machines make music, Perspectives of new music, pp.102-110, 1990.

P. Charlotte and . Lee, Boundary negotiating artifacts: Unbinding the routine of boundary objects and embracing chaos in collaborative work, Computer Supported Cooperative Work, vol.16, pp.307-339, 2007.

J. Löwgren and E. Stolterman, Thoughtful interaction design: A design perspective on information technology, 2004.

R. Luck, Using artefacts to mediate understanding in design conversations, Building Research & Information, vol.35, pp.28-41, 2007.

E. Wendy and . Mackay, Is paper safer? The role of paper flight strips in air traffic control, ACM Transactions on Computer-Human Interaction (TOCHI), vol.6, pp.311-340, 1999.

R. Miettinen and J. Virkkunen, Epistemic objects, artefacts and organizational change, Organization, vol.12, pp.437-456, 2005.

G. Harold, E. Nelson, and . Stolterman, The design way: Intentional change in an unpredictable world: Foundations and fundamentals of design competence, Educational Technology, 2003.

D. Nicolini, J. Mengis, and J. Swan, Understanding the role of objects in cross-disciplinary collaboration, Organization science, vol.23, pp.612-629, 2012.

J. Wanda and . Orlikowski, Sociomaterial practices: Exploring technology at work, Organization studies, vol.28, pp.1435-1448, 2007.

T. Purcell and J. S. Gero, Drawings and the design process: A review of protocol studies in design and other disciplines and related research in cognitive psychology, Design studies, vol.19, pp.389-430, 1998.

J. Redström, RE: Definitions of use, Design studies, vol.29, pp.410-423, 2008.

T. Robertson, Cooperative work and lived cognition: a taxonomy of embodied actions, Proceedings of the Fifth European Conference on Computer Supported Cooperative Work, pp.205-220, 1997.

K. Daniela and . Rosner, The material practices of collaboration, Proceedings of the ACM 2012 conference on computer supported cooperative work, pp.1155-1164, 2012.

C. Rossitto, C. Bogdan, and K. Severinson-eklundh, Understanding constellations of technologies in use in a collaborative nomadic setting, Computer Supported Cooperative Work, vol.23, pp.137-161, 2014.

T. Schiphorst, T. Calvert, C. Lee, C. Welman, and S. Gaudet, Tools for interaction with the creative process of composition, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp.167-174, 1990.

K. Schmidt and I. Wagner, Ordering systems: Coordinative practices and artifacts in architectural design and planning, Computer Supported Cooperative Work (CSCW), vol.13, pp.349-408, 2004.

A. Donald, G. Schon, and . Wiggins, Kinds of seeing and their functions in designing, Design studies, vol.13, pp.135-156, 1992.

S. L. Star and . James-r-griesemer, Institutional ecology,translations' and boundary objects: Amateurs and professionals in Berkeley's Museum of Vertebrate Zoology, Social studies of science, vol.19, pp.387-420, 1989.

B. Stephanie, . Steinhardt, J. Steven, and . Jackson, Anticipation work: Cultivating vision in collective practice, Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing, pp.443-453, 2015.

L. Suchman, Located accountabilities in technology production, Scandinavian journal of information systems, vol.14, p.7, 2002.

A. Lucy and . Suchman, Plans and situated actions: The problem of human-machine communication, 1987.

A. Lucy, . Suchman, H. Randall, and . Trigg, Understanding practice: Video as a medium for reflection and design, Design at work. L. Erlbaum Associates Inc, pp.65-90, 1992.

C. John and . Tang, Findings from observational studies of collaborative work, International Journal of Man-machine studies, vol.34, pp.143-160, 1991.

J. Tholander, M. Normark, and C. Rossitto, Understanding agency in interaction design materials, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp.2499-2508, 2012.

T. Tsandilas, C. Letondal, and W. E. Mackay, Mus ink: composing music through augmented drawing, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp.819-828, 2009.