F. Aspillaga, J. Cobb, and C. Chuan, Mixme: A recommendation system for DJs, ISMIR, 2011.

D. Barchiesi and J. Reiss, Reverse engineering of a mix, Journal of the Audio Engineering Society, vol.58, issue.7/8, pp.563-576, 2010.

R. M. Bittner, M. Gu, G. Hernandez, E. J. Humphrey, T. Jehan et al., Automatic playlist sequencing and transitions, ISMIR, 2017.

R. Brett-brecht-de-man, J. D. King, and . Reiss, An analysis and evaluation of audio features for multitrack music mixtures, ISMIR, 2014.

D. Cliff, Hang the DJ: Automatic sequencing and seamless mixing of dancemusic tracks, vol.104, 2000.

M. Brecht-de-man, G. Mora-mcginity, J. D. Fazekas, and . Reiss, The open multitrack testbed, Audio Engineering Society Convention 137, 2014.

J. D. Brecht-de-man and . Reiss, Crowd-sourced learning of music production practices through large-scale perceptual evaluation of mixes. Innovation in Music II, p.144, 2016.

D. Fourer and G. Peeters, Objective characterization of audio signal quality: Application to music collection description, Proc. IEEE ICASSP, pp.711-715, 2017.

T. Fujio and H. Shiizuka, A system of mixing songs for automatic DJ performance using genetic programming, 6th Asian Design International Conference, 2003.

N. Glazyrin, Towards automatic content-based separation of DJ mixes into single tracks, ISMIR, pp.149-154, 2014.

S. Gorlow and J. D. Reiss, Model-based inversion of dynamic range compression, IEEE Transactions on Audio, Speech, and Language Processing, vol.21, issue.7, pp.1434-1444, 2013.
URL : https://hal.archives-ouvertes.fr/hal-00728059

H. Ishizaki, K. Hoashi, and Y. Takishima, Full-automatic DJ mixing system with optimal tempo adjustment based on measurement function of user discomfort, ISMIR, pp.135-140, 2009.

T. Kell and G. Tzanetakis, Empirical analysis of track selection and ordering in electronic dance music using audio feature extraction, ISMIR, pp.505-510, 2013.

A. Kim, S. Park, J. Park, J. Ha, T. Kwon et al., Automatic DJ mix generation using highlight detection, Proc. ISMIR, late-breaking demo paper, 2017.

S. Jacob-a-maddams, J. D. Finn, and . Reiss, An autonomous method for multi-track dynamic range compression, 2012.

S. Mansbridge, S. Finn, and J. D. Reiss, An autonomous system for multitrack stereo pan positioning, Audio Engineering Society Convention, 2012.

P. Molina, M. Haro, and S. Jordá, Beatjockey: A new tool for enhancing DJ skills, NIME, pp.288-291, 2011.

E. Perez, -. Gonzalez, and J. Reiss, Automatic gain and fader control for live mixing, Proc. IEEE WASPAA, pp.1-4, 2009.

M. Ramona and G. Richard, A simple and efficient fader estimator for broadcast radio unmixing, Proc. Digital Audio Effects (DAFx), pp.265-268, 2011.

T. Scarfe, Y. Koolen, and . Kalnishkan, Segmentation of electronic dance music, International Journal of Engineering Intelligent Systems for Electrical Engineering and Communications, vol.22, issue.3, p.4, 2014.

D. Schwarz and D. Fourer, Towards Extraction of Ground Truth Data from DJ Mixes, Late-break Session of ISMIR, 2017.
URL : https://hal.archives-ouvertes.fr/hal-01671768

D. Schwarz and D. Fourer, Unmixdb: A dataset for DJ-mix information retrieval, Late-break Session of ISMIR, 2018.
URL : https://hal.archives-ouvertes.fr/hal-02010431

D. Silva, G. E. De-almeida-prado-alves, E. Batista, and . Keogh, On the effect of endpoints on dynamic time warping, SIGKDD Workshop on Mining and Learning from Time Series, II. Association for Computing Machinery-ACM, 2016.

R. Sonnleitner, A. Arzt, and G. Widmer, Landmark-based audio fingerprinting for DJ mix monitoring, ISMIR, 2016.

J. Robert, . Turetsky, P. W. Daniel, and . Ellis, Ground-truth transcriptions of real music from force-aligned midi syntheses, ISMIR, 2003.

L. Werthen-brabants, Ground truth extraction & transition analysis of DJ mixes, 2018.