, Blaive 2019. ??????? ???? ? ??? ???? ????? ????? ???? ?? ??????, 1990.
, From Sexual Revolution to 'Sexual Sovereignty': Queer-Art Exhibitions in Post-Soviet Russia, National Convention of the ASEEES, Panel "Transgressive Masculinities: Contemporary Russian Queer Visual Culture, pp.1917-2017, 2016.
, Late Soviet Unofficial Culture as a Socio-Aesthetic Phenomenon, pp.28-29, 2019.
, Contemporary Russian Art, Music and Film, 1989.
, VR Video Storytelling for Intangible Cultural Heritage Preservation, accepted at Eurographics Workshop on Graphics and Cultural Heritage GCH 2019 in Vienna
, Hermitage Museum, Videofabrika: The Hermitage VR experience
, See 40 For instance, see Bayer (2008); also Garage Archive Collection which includes the archive of collector Leonid Talochkin, p.205, 2019.
, P?íb?h Charty 77 exhibition. In this regard, the exhibition drew on material akin to that already been exhibited in Praha Objektivem Tajne Policie, Through the lens of the repressive apparatus -exhibition panel in the Charta Story, 2009.
, For discussion of the position of this institution as a symbol of 'anti-communism, 2008.
, Rutgers University Press also has published a number of books in the Dodge Soviet Nonconformist Art Publication Series, thus making a significant contribution also to the research of this field, 1995.
, An example of the latter is Aspects-Positions. Art in Central Europe, 1949.
, Vasarely Go Home is a documentary film by Andreas Fogarasi produced for his exhibition La ciudad de color / Vasarely Go Home at the Museo Nacional Centro de Arte Reina Sofia, 2011.
, Dainius Li?kevi?ius's project was thoroughly recorded in Li?kevi?ius, 2013.
, In recent years there have been exhibitions dedicated to Perestroika's cultural heroes such as rock musicians Viktor Tsoi, Petr Mamonov, Boris Grebenshikov and others in Russia: I saw rock and rollthe photographs of Igor Mukin at Rosfoto, vol.29, 2016.
, On his 60th birthday, Marble Palace of The State Russian Museum, 2018.