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Les « trésors du signifiant » dans les Récitations de Georges Aperghis

Abstract : This hermeneutical musicological study of the language of Georges Aperghis in Récitations is concerned about psychoanalysis, linguistics, and phonology. The hermeneutic method draws inspiration from Bernard Vecchione’s, who places his perspective in musical Sprachlichkeit and aims at studying the ability of music to take place as a fictional writing from a given anthropological situation. Thus, music regarded as a fictional narrative allows the hermeneutics researcher to extend the musical work by a singular reading – strictly hermeneutical.
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Contributor : Caroline Boë Connect in order to contact the contributor
Submitted on : Tuesday, January 28, 2020 - 1:05:23 PM
Last modification on : Wednesday, November 3, 2021 - 4:07:39 AM
Long-term archiving on: : Wednesday, April 29, 2020 - 2:54:15 PM


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  • HAL Id : hal-02004780, version 2



Caroline Boë. Les « trésors du signifiant » dans les Récitations de Georges Aperghis. 2018. ⟨hal-02004780v2⟩



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