« The Viewer’s Body in Motion. Physical and Virtual Effects of Three-Dimensional Spectacles »,

Martin Barnier (1)

1 XXI - Passages XX-XXI

The body of the spectators is immersed in venues that propose 3-D Magic Lanterns projections. It can be moved with the Hale's Tour and other attraction like the Mareorama. Kinoplastikon and other devices like the Pepper's Ghost gave the impression Ghosts could speak to the audience. In 1915, the first presntation of 3-D stereoscopic anaglyphic films immersed the spectators in the landscape.

Mots clés: 3-D film; Mareorama; Panorama; Magic Lantern; Pepper's Ghost; stereocopie; early film history

Domaines: Art et histoire de l'art; Histoire

Martin Barnier. « The Viewer’s Body in Motion. Physical and Virtual Effects of Three-Dimensional Spectacles »,. Corporeality in Early Cinema. Viscera, Skin, and Physical Form, Bloomington, Indiana University Press, 2018, p.263-274, dirigé par Marina Dahlquist, Doron Galili, Jan Olsson and Valentine Robert, Indiana University Press, 2018. ⟨hal-02002835⟩