G. Assayag, S. Dubnov, and O. Delerue, Guessing the Composer's Mind: Applying Universal Prediction to Musical Style, Proceedings of the International Computer Music Conference (ICMC'99), 1999.

G. Assayag, Visual Programming in Music, Proceedings of the International Computer Music Conference (ICMC'95), 1995.
URL : https://hal.archives-ouvertes.fr/hal-01105457

G. Assayag, Computer Assisted Composition Today, 1st symposium on music and computers, 1998.

F. Bevilacqua, N. Schnell, N. Rasamimanana, B. Zamborlin, and F. Guédy, Online Gesture Analysis and Control of Audio Processing, Musical Robots and Interactive Multimodal Systems, 2011.
DOI : 10.1007/978-3-642-22291-7_8
URL : https://hal.archives-ouvertes.fr/hal-01106956

J. Bresson, C. Agon, and G. Assayag, OpenMusic. Visual Programming Environment for Music Composition, Analysis and Research, ACM MultiMedia (MM'11) OpenSource Software Competition, 2011.
DOI : 10.1145/2072298.2072434
URL : https://hal.archives-ouvertes.fr/hal-01169018

J. Bresson and C. Agon, Processing Sound and Music Description Data Using OpenMusic, Proceedings of the International Computer Music Conference (ICMC'10), 2010.
URL : https://hal.archives-ouvertes.fr/hal-01161247

J. Bresson, D. Bouche, T. Carpentier, D. Schwarz, and J. Garcia, Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic, Proceedings of the International Computer Music Conference (ICMC'17), 2017.
URL : https://hal.archives-ouvertes.fr/hal-01567619

J. Briot, G. Hadjeres, and F. Pachet, Deep Learning Techniques for Music Generation. Computational Synthesis and Creative Systems, 2018.
URL : https://hal.archives-ouvertes.fr/hal-01660772

M. Burnett and C. Scaffidi, , 2014.

I. Soegaard, M. Dam, and R. F. , The Encyclopedia of Human-Computer Interaction. Interaction Design Founda- tion

L. Camilleri, Computational Musicology. A Survey on Methodologies and Applications. Revue Informatique et Statistique dans les Sciences Humaines 29, 1993.

B. Caramiaux, N. Montecchio, A. Tanaka, and F. Bevilacqua, Adaptive Gesture Recognition with Variation Estimation for Interactive Systems, ACM Transactions on Interactive Intelligent Systems, vol.4, issue.4, 2014.
DOI : 10.1109/TIP.2004.836152
URL : https://hal.archives-ouvertes.fr/hal-01266046

D. Cope, Experiments in Musical Intelligence, 1996.

L. Crestel and P. Esling, Live Orchestral Piano, a system for real-time orchestral music generation, Proceedings of the Sound and Music Computing Conference (SMC'17), 2017.
URL : https://hal.archives-ouvertes.fr/hal-01577463

S. Dubnov and G. Surges, Delegating Creativity: Use of Musical Algorithms in Machine Listening and Composition, Digital Da Vinci: Computers in Music, 2014.
DOI : 10.1007/978-1-4939-0536-2_6

S. Dubnov, Memex and Composer Duets: Computer- Aided Composition Using Style Modeling and Mixing, The OM Composer's Book. 2. Editions Delatour / Ircam, 2008.
URL : https://hal.archives-ouvertes.fr/hal-01106436

P. Esling, G. Carpentier, and C. Agon, Dynamic Musical Orchestration Using Genetic Algorithms and a Spectro-Temporal Description of Musical Instruments, Applications of Evolutionary Computation: EvoApplications 2010, 2010.
DOI : 10.1007/978-3-642-12242-2_38

A. Farhang, Modelling a gesture: Tak-S¯ ?m for string quartet and live electronics, The OM Composer's Book. 3. Editions Delatour / Ircam-Centre Pompidou, 2016.

J. Françoise, N. Schnell, and F. Bevilacqua, A multimodal probabilistic model for gesture--based control of sound synthesis, Proceedings of the 21st ACM international conference on Multimedia, MM '13, 2013.
DOI : 10.1145/2502081.2502184

J. Garcia, P. Leroux, and J. Bresson, pOM: Linking Pen Gestures to Computer-Aided Composition Processes, Joint International Computer Music / Sound and Music Computing Conferences (ICMC?SMC'14), 2014.
URL : https://hal.archives-ouvertes.fr/hal-01053295

F. Ghedini, F. Pachet, R. , and P. , Creating Music and Texts with Flow Machines, Multidisciplinary Contributions to the Science of Creative Thinking, 2015.
DOI : 10.1007/978-981-287-618-8_18

D. Ghisi, La Fabrique des Monstres, 2018.

R. I. Godøy and L. , Musical Gestures: Sound, Movement, and Meaning. Routledge, 2010.

J. Hervé and F. Voisin, Composing the Qualitative , on Encore Composition, The OM Composer's Book. 1. Editions Delatour / Ircam-Centre Pompidou, 2006.

L. A. Hiller and L. M. Isaacson, Experimental Music: Composition With an Electronic Computer, 1959.

P. R. Illescas, D. Rizo, M. , and I. J. , Learning to Analyse Tonal Music, Proceedings of the International Workshop on Machine Learning and Music, 2008.

J. Maxwell, A. Eigenfeldt, and P. Pasquier, ManuScore: Music Notation-based Computer Assisted Composition, Proceedings of the International Computer Music Conference, 2012.

D. Meredith, P. Pasquier, A. Eigenfeldt, O. Bown, and S. Dubnov, Computational Music Analysis An Introduction to Musical Metacreation, Computers in Entertainment, vol.14, issue.2, 2015.

M. T. Pearce, D. Müllensiefen, and G. A. Wiggins, A Comparison of Statistical and Rule-based Models of Melodic Segmentation, Proceedings of the International Conference on Music Information Retrieval (ISMIR'08), 2008.

N. Schnell, D. Schwarz, J. Larralde, and R. Borghesi, PiPo, A Plugin Interface for Afferent Data Stream Processing Modules, Proceedings of the International Symposium on Music Information Retrieval (ISMIR'17), 2017.
URL : https://hal.archives-ouvertes.fr/hal-01575288

M. Schumacher and M. Wanderley, Integrating Gesture Data in Computer-aided Composition: A Framework for Representation, Processing and Mapping, Journal of New Music Research, vol.3, issue.1, 2017.
DOI : 10.1162/014892602320582945

M. Wanderley, Mapping Strategies in Real-time Computer Music, Special Issue of Organised Sound, vol.7, issue.2, 2002.