A. Anatrini, The state of the art on the educational software tools for electroacoustic composition, Proceedings of SMC Conference 2016, 2016.

M. Andreatta, C. Agon-amado, T. Noll, and E. Amiot, Towards Pedagogability of Mathematical Music Theory: Algebraic Models and Tiling Problems in computeraided composition, Proceedings Bridges. Mathematical Connections in Art, Music and Science, pp.277-284, 2006.
URL : https://hal.archives-ouvertes.fr/hal-01161056

L. Bigo, M. Andreatta, J. L. Giavitto, O. Michel, and A. Spicher, Computation and Visualization of Musical Structures in Chord-Based Simplicial Complexes, Mathematics and Computation in Music. MCM 2013, 2013.
DOI : 10.1007/978-3-642-39357-0_3
URL : https://hal.archives-ouvertes.fr/hal-00925748

L. Bigo, D. Ghisi, A. Spicher, and M. Andreatta, Spatial transformations in simplicial chord spaces, Proceedings of the Joint International Computer Music Conference -Sound and Music Computing, pp.1112-1119
URL : https://hal.archives-ouvertes.fr/hal-01161081

R. Cohn, Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations, Journal of Music Theory, vol.41, issue.1, 1997.
DOI : 10.2307/843761

J. Douthett and P. Steinbach, Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition, Journal of Music Theory, vol.42, issue.2, 1998.
DOI : 10.2307/843877

R. Stäßer and . Cabri-geometre, Does Dynamic Geometry Software (DGS) Change Geometry and Its Teaching and Learning?, International Journal of Computers for Mathematical Learning, vol.6, issue.3, pp.319-333, 2001.
DOI : 10.1023/A:1013361712895