CdSxSe1-xquantum dots as colouring agents of Art Nouveau and contemporary stained glass: A combined transmission electron microscopy and Raman study
Résumé
The use of cadmium chalchogenide nanoprecipitates to obtain brightly coloured glasses enormously expanded by the beginning of the twentieth century, when the production of cadmium-based pigments was already well established. Six historical stained glass pieces produced between the late 1920s and modern days have been investigated in order to delineate the average size and the elemental composition of the nanocrystals. As non-invasive conditions are now mandatory when considering objects belonging to cultural heritage, Raman spectroscopy is used to measure the (average) elemental composition of the nanoparticles. Zinc substitution is also detected by the shifting of the Raman peak position. Moreover, a tentative evaluation of size distribution and crystallinity of the nanoparticles has been performed considering those parameters that are mainly influenced by the disorder of the system, such as Raman band width, surface phonons and the ratio between second and first order band intensities. A confirmation of the above-mentioned conclusion is searched by means of transmission electron microscopy (TEM) and local elemental analysis. Raman investigations allowed identifying a different and more pronounced disorder characterizing the oldest glasses, also verified by TEM observations, suggesting a different manufacture. This article is part of the themed issue 'Raman spectroscopy in art and archaeology'.
Mots clés
Cadmium
Cadmium sulfide
Electron microscopy
Glass
High resolution transmission electron microscopy
Nanocrystals
Nanoparticles
Precipitation (chemical)
Raman spectroscopy
Semiconductor quantum dots
Transmission electron microscopy
Cdse
Colouring agents
Cultural heritages
Elemental compositions
Raman
Raman investigations
TEM observations
Twentieth century
Stained glass