Paradigmes subversifs du sujet dans la photographie et les écrits de Nan Goldin : Pluralité humaine et révisions épistémologiques

Abstract : This article associates discourses on the subject, the sociology of photography and Nan Goldin’s work, and argues that the photographer questions gender paradigms leading to the definition of « abject » identities. As she reinvests the snapshot aesthetic and family photography, Goldin reveals the plurality of gender identities. Her photography documents the dismantling of the heterosexual couple and claims the social viability of homosexuals, transgender people and drag queens, thus rising to the status of subaltern knowledge and counter-discourse on humanity.
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Mélanie Grué. Paradigmes subversifs du sujet dans la photographie et les écrits de Nan Goldin : Pluralité humaine et révisions épistémologiques. Sociétés Plurielles, Presses de l’INALCO, 2018, Épistémologies du pluriel, 2. ⟨hal-01695312⟩

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