La marge de manœuvre interprétative chez le cinéaste David Lynch : de Lost Highway à Inland Empire

Abstract : Far from offering a traditional approach to David Lynch’s work as marginal cinema, our analysis is based on the semio-pragmatic theory. Through a selection of three films by this great director, the goal of this article is to apprehend the interpretative leeway given to the spectator, thanks to the whole set of tools provided by this heuristic model. Haut de page
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Jean-Michel Denizart. La marge de manœuvre interprétative chez le cinéaste David Lynch : de Lost Highway à Inland Empire . Marge(s), Les Chantiers de la Création, Mar 2014, Aix-en-Provence, France. ⟨hal-01672550⟩

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