Amérique du Nord sont des postures salvatrices qu'adoptent les personnages que mettent en scène les romanciers caribéenscanadiens dans leurs oeuvres explorant la question de l'appartenance telle qu, 2000. ,
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The Innocence of Age, Toronto: Penguin Books, 1992. ,
The Worlds Within Her, 1998. ,
From Pillar to Post: The Indo-Caribbean Diaspora, 1997. ,
What We All Long For, 2005. ,
Cross-Talk, Postcolonial Pedagogy, and Transnational Literacy, Cynthia SUGARS, Home-Work: Postcolonialism, Pedagogy, and Canadian Literature, pp.57-74, 2004. ,
Codes of Canadian Racism: Anglocentric and Assimilationist Cultural Rhetoric, Cynthia SUGARS, Home-Work: Postcolonialism, Pedagogy, and Canadian Literature, pp.245-256, 2004. ,
The Swinging Bridge, 2003. ,
The Old and the New, The Innocence of Age by Neil Bissoondath, The Toronto South Asian Review, vol.11, issue.2, p.86, 1993. ,
Malaise dans la civilisation, Paris: Les Presses univer sitaires de France, 1929. ,
Historiographic Metafiction Parody and the Intertextuality of History, and Contemporary American Fiction ,
The culture of Celebrity and National Pedagogy, SUGARS Cynthia ,
Diasporic Literature in English Canada, 2009. ,
Tides of Belonging Reconfiguring the Autoethnographic Paradigm in Shani ,
Global Economy, Local Texts: Utopian/Dystopian Tensions in William Gibson's ,
The Minnesota Review n.s. 1995, pp.43-44 ,
Frontiers: Selected Essays and Writings on Racism and Culture, 1984. ,
The West Indian Novel and its Background, 1970. ,
Francis EUSTACHE (trad.), À la recherche de la mémoire : le passé, l'esprit et le cerveau, 1999. ,
Historical Thought and Literary Representation in West Indian Literature, 1998. ,
The Worlds Within Her, 1998. ,
The Swinging Bridge, 2003. ,
Global Economy, Local Texts: Utopian/Dystopian Tensions in William Gibson's Cyberpunk Trilogy " , The Minnesota Review n.s, p.43, 1995. ,
Historiographic Metafiction Parody and the Intertextuality of History, 1989. ,
From Pillar to Post, The Indo-Caribbean Diaspora, p.212, 1997. ,
The literary text [?] may itself be seen as the rewriting or restructuration of a prior historical or ideological subtext The Political Unconscious: Narrative as a Socially Symbolic Act, p.80, 1981. ,
Cross-Talk, Postcolonial Pedagogy, and Transnational Literacy, Cynthia Sugars, Home-Work: Postcolonialism, Pedagogy, and Canadian Literature, p.61, 2004. ,
Codes of Canadian Racism: Anglocentric and Assimilationist Cultural Rhetoric " , in Cynthia Sugars, Home-Work: Postcolonialism, Pedagogy, and Canadian Literature, 2004. ,
Diasporic Literature in English Canada, pp.101-102, 2009. ,
The culture of Celebrity and National Pedagogy " , in Cynthia Sugars, Home-Work: Postcolonialism, Pedagogy, and Canadian Literature, pp.36-37, 2004. ,
migration et multiculturalisme dans l'OEuvre ,
The culture of Celebrity and National Pedagogy " , in Cynthia Sugars, Home-Work: Postcolonialism, Pedagogy, and Canadian Literature, pp.46-79, 2004. ,
The Old and the New, The Innocence of Age by Neil Bissoondath, The Toronto South Asian Review, p.86, 1993. ,
The Swinging Bridge, 2003. ,
The Worlds Within Her, p.417, 1998. ,
Tides of Belonging Reconfiguring the Autoethnographic Paradigm in Shani Mootoo's He Drown She in the Sea Asian Canadian Writing Beyond Autoethnography, pp.71-113, 2008. ,
The Swinging Bridge, op.cit, pp.305-306 ,