G. Assayag, G. Bloch, M. Chemillier, A. Cont, and S. Dubnov, OMax brothers, Proceedings of the 1st ACM workshop on Audio and music computing multimedia , AMCMM '06, 2006.
DOI : 10.1145/1178723.1178742

URL : https://hal.archives-ouvertes.fr/hal-00839075

G. Assayag, S. Dubnov, and O. Delerue, Guessing the composer's mind: applying universal prediction to musical style, Proceedings of the ICMC, 1999.

G. Assayag and S. Dubnov, Using Factor Oracles for Machine Improvisation, Soft Computing, vol.8, issue.9, 2004.
DOI : 10.1007/s00500-004-0385-4

URL : https://hal.archives-ouvertes.fr/hal-01161221

G. Assayag and G. Bloch, Navigating the Oracle: a Heuristic Approach, Proceedings of the ICMC, The In. Comp. Music Association, 2007.
URL : https://hal.archives-ouvertes.fr/hal-01161388

G. Assayag, G. Bloch, S. Dubnov, and A. Cont, Interaction with Machine Improvisation, The Structure of Style, pp.219-246, 2010.
DOI : 10.1007/978-3-642-12337-5_10

URL : https://hal.archives-ouvertes.fr/hal-00694801

T. Blackwell, O. Bown, and &. M. Young, Live Algorithms: Towards Autonomous Computer Improvisers, Computers and Creativity, pp.147-174, 2012.
DOI : 10.1007/978-3-642-31727-9_6

C. Canonne and N. Garnier, A Model for Collective Free Improvisation, Proc. MCM'03, 2011.
DOI : 10.1007/978-3-642-21590-2_3

URL : https://hal.archives-ouvertes.fr/halshs-00913247

D. Conklin, Music Generation from Statistical Models, Proc. of the AISB 2003 Symposium on Artificial Intelligence and Creativity in the Arts and Sciences, pp.30-35, 2003.

M. Crochemore, L. Ilie, and E. Seid-hilmi, THE STRUCTURE OF FACTOR ORACLES, International Journal of Foundations of Computer Science, vol.18, issue.04, pp.781-797, 2007.
DOI : 10.1142/S0129054107004978

URL : https://hal.archives-ouvertes.fr/hal-00619689

A. Donze, S. Libkind, S. A. Seshia, and D. Wessel, Control improvisation with application to music, 2013.

S. Dubnov, G. Assayag, and A. Cont, Audio Oracle Analysis of Musical Information Rate, 2011 IEEE Fifth International Conference on Semantic Computing, pp.567-571, 2011.
DOI : 10.1109/ICSC.2011.106

URL : https://hal.archives-ouvertes.fr/hal-00839065

S. Dubnov, G. Assayag, O. Lartillot, and G. Bejerano, Using machine-learning methods for musical style modeling, Computer, vol.36, issue.10, 2003.
DOI : 10.1109/MC.2003.1236474

B. Lévy, G. Bloch, and G. Assayag, OMaxist Dialectics : Capturing, Visualizing and Expanding Improvisations, Proc. NIME 2012, pp.137-140, 2012.

J. Nika and M. Chemillier, ImproteK, integrating harmonic controls into improvisation in the filiation of OMax, Proceedings of the International Computer Music Conference, pp.180-187, 2012.
URL : https://hal.archives-ouvertes.fr/hal-01059330

J. Pressing, Cognitive Processes in Improvisation, Advances in Psychology, vol.19, pp.345-363, 1984.
DOI : 10.1016/S0166-4115(08)62358-4

G. Surges and S. Dubnov, Feature Selection and Composition using PyOracle, Ninth AAAI Conference, 2013.

A. Cont, S. Dubnov, and G. Assayag, On the Information Geometry of Audio Streams With Applications to Similarity Computing, IEEE Transactions on Audio, Speech, and Language Processing, vol.19, issue.4, pp.837-846, 2011.
DOI : 10.1109/TASL.2010.2066266

URL : https://hal.archives-ouvertes.fr/hal-00579590

S. Marchand, R. Badeau, C. Baras, L. Daudet, D. Fourer et al., DReaM: a novel system for joint source separation and multi-track coding, 133rd Audio Engineering Society (AES) Convention, 2012.
URL : https://hal.archives-ouvertes.fr/hal-00809503

S. A. Raczy?ski, E. Vincent, and S. Sagayama, Dynamic Bayesian Networks for Symbolic Polyphonic Pitch Modeling, IEEE Transactions on Audio, Speech, and Language Processing, vol.21, issue.9, 2013.
DOI : 10.1109/TASL.2013.2258012

W. Wang, Machine Audition: Principles, Algorithms and Systems, Information science reference, 2010.
DOI : 10.4018/978-1-61520-919-4

K. Sanlaville, G. Assayag, F. Bevilacqua, and C. Pelachaud, « Emergence of synchrony in an Adaptive Interaction Model ». Intelligent Virtual Agents 2015 Doctoral Consortium, 2015.

J. Nika and M. Chemillier, Improvisation musicale homme-machine guid??e par un sc??nario temporel, Techniques et sciences informatiques, vol.33, issue.7-8, pp.651-684, 2015.
DOI : 10.3166/tsi.23.651-684

J. Bresson, C. Agon, and G. Assayag, « OpenMusic ? Visual Programming Environment for Music Composition, Proceedings of the 19th ACM international conference on Multimedia, 2011.