OMax brothers, Proceedings of the 1st ACM workshop on Audio and music computing multimedia , AMCMM '06, 2006. ,
DOI : 10.1145/1178723.1178742
URL : https://hal.archives-ouvertes.fr/hal-00839075
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic, Computer Music Journal, vol.23, issue.3, pp.59-72, 1999. ,
DOI : 10.2307/3679811
i-score, an Interactive Sequencer for the Intermedia Arts, Joint Fortieth International Computer Music Conference / Eleventh Sound and Music Computing Conference, 2014. ,
Temporal Control over Sound Synthesis Processes, Sound and Music Computing, 2006. ,
URL : https://hal.archives-ouvertes.fr/hal-01161348
A reactive extension of the OpenMusic visual programming language, Journal of Visual Languages & Computing, vol.25, issue.4, pp.363-375, 2014. ,
DOI : 10.1016/j.jvlc.2014.03.003
URL : https://hal.archives-ouvertes.fr/hal-00965747
Interactive Composing: An Overview, Computer Music Journal, vol.8, issue.1, pp.22-27, 1984. ,
DOI : 10.2307/3679894
Creating spatial depth using distortion product otoacoustic emissions in music composition, International Conference on Auditory Display, 2015. ,
Evaluation of Object oriented Programming from Simula to Smalltalk, Eleventh Simula Users'Conference, 1983. ,
Operational semantics of a domain specific language for real time musician-computer interaction. Discrete Event Dynamic Systems, pp.343-383, 2013. ,
URL : https://hal.archives-ouvertes.fr/hal-00854719
Electromechanical design: Reactive planning and control with a mobile robot, 2013 10th International Conference on Electrical Engineering, Computing Science and Automatic Control (CCE), 2013. ,
DOI : 10.1109/ICEEE.2013.6676009
Real-time composition in elody, ICMA Proceedings of the International Computer Music Conference, 2000. ,
Guided improvisation as dynamic calls to an offline model, Sound and Music Computing (SMC), 2015. ,
URL : https://hal.archives-ouvertes.fr/hal-01184642
ImproteK, Computers in Entertainment, vol.14, issue.2, 2016. ,
DOI : 10.1145/3022635
URL : https://hal.archives-ouvertes.fr/hal-01380163
Combining Event and Signal Processing in the MAX Graphical Programming Environment, Computer Music Journal, vol.15, issue.3, pp.68-77, 1991. ,
DOI : 10.2307/3680767
Part II, ACM SIGCOMM Computer Communication Review, vol.35, issue.3, pp.79-82, 2005. ,
DOI : 10.1145/1070873.1070885
Tutorial: Algorithms for classical planning, 23rd International Joint Conference on Artificial Intelligence, 2013. ,
FORMES: Composition and Scheduling of Processes, Computer Music Journal, vol.8, issue.3, pp.32-50, 1984. ,
DOI : 10.2307/3679811
A real-time concurrent planning and execution framework for automated story planning for games, AAAI, 2011. ,