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URL : https://hal.archives-ouvertes.fr/hal-00683465

J. Bresson, R. Foulon, and M. Stroppa, Reduction as a transition controller for sound synthesis events, Proceedings of the first ACM SIGPLAN workshop on Functional art, music, modeling & design, FARM '13
DOI : 10.1145/2505341.2505342
URL : https://hal.archives-ouvertes.fr/hal-00959107

J. Bresson and M. Stroppa, The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis, Proceedings of the International Computer Music Conference, 2011.
URL : https://hal.archives-ouvertes.fr/hal-01161282

J. Bresson, M. Stroppa, and C. Agon, Generation and Representation of Data and Events for the Control of Sound Synthesis, Proceedings of the Sound and Music Computing Conference. Lefkada, 2007.
URL : https://hal.archives-ouvertes.fr/hal-01161374

A. Cont, C. Laurenzi, and M. Stroppa, Chromax, the other side of the spectral delay between signal processing and composition, Proceedings of the International Conference on Digital Audio Effects (DAFx). Maynooth, 2013.
URL : https://hal.archives-ouvertes.fr/hal-00850751

X. Rodet, Time-domain Formant-wave Function Synthesis, Computer Music Journal, vol.8, issue.3, 1984.
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M. Stroppa, Musical information organisms: An approach to composition, Contemporary Music Review, vol.4, issue.1, 1989.
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M. Stroppa, High-Level Musical Control Paradigms for Digital Signal Processing, Proceedings of the International Conference on Digital Audio Effects (DAFx). Verona, 2000.

M. Stroppa, Auf der Suche nach formalen Polyphonien. Zwischen Musiktheorie und Neurowissenschaft, Musik & Ästhetik, p.2012