. De-la-hogue, . Celerier, T. Baltazar-de-la-hogue, J. Celerier, and P. Baltazar, Presentation d'un Formalisme Graphique pour l'Ecriture de Scenarios Interactifs, pp.37-41, 2016.
URL : https://hal.archives-ouvertes.fr/hal-01300346

A. Dubnov, C. Dubnov, S. Assayag, G. Cont, and A. , Audio Oracle Analysis of Musical Information Rate, 2011 IEEE Fifth International Conference on Semantic Computing, pp.567-571, 2011.
DOI : 10.1109/ICSC.2011.106
URL : https://hal.archives-ouvertes.fr/hal-00839065

O. Fober, L. Fober, D. Orlarey, Y. Letz, and S. , Augmented Interactive Scores for Music Creation, Korean Electro-Acoustic Music Society's, 2014.
URL : https://hal.archives-ouvertes.fr/hal-01073101

J. Haury, La Grammaire de l'exécution musicale au clavier et le mouvement des touches, Analyse musicale, vol.7, pp.10-26, 1987.

C. Nika, J. Nika, M. Chemillier, and F. Pommereau, Improvisation musicale homme-machine guidée par un scénario temporel Quickly prototyping petri nets tools with SNAKES, SimuTools, pp.651-684, 2008.

I. Priore, Vestiges of twelve-tone practice as compositional process in berios sequenza I for solo flute Berio's Sequenzas: Essays on Performance, Composition and Analysis. Ashgate, pp.191-208, 2007.

G. Dubnov and S. , Feature Selection and Composition Using PyOracle, AAAIDE Workshop, pp.114-121, 2013.

C. Wang and S. Dubnov, The Variable Markov Oracle: Algorithms for Human Gesture Applications, IEEE MultiMedia, vol.22, issue.4, pp.52-67, 2015.
DOI : 10.1109/MMUL.2015.76

C. Wang and G. J. Mysore, Structural segmentation with the Variable Markov Oracle and boundary adjustment, 2016 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.291-295, 2016.
DOI : 10.1109/ICASSP.2016.7471683