Science and theatre in open dialogue: Biblioetica, Le Cas de Sophie K. and the postdramatic science play
Résumé
Judging by the many new ventures into the genre of the ‘science play’ over the last few years, the surge of interest in science on stage continues unchecked. The most interesting aspect of this trend, however, is not quantity but variety, and the ways in which directors in particular are beginning to challenge the playwright-driven and biographically inflected engagements that have so far dominated science on stage. In this article we discuss two recent productions from two prominent directors: Luca Ronconi’s Biblioetica, staged in Turin in February–March 2006, and Jean-François Peyret’s Le Cas de Sophie K., given in Paris in April–May. The gulf between these productions and more theatrically conventional plays like Copenhagen and Arcadia is wide, and this new work represents a significant step for science plays in the direction of ‘postdramatic theatre’, a term used by Hans-Thies Lehmann in his groundbreaking work on the subject. We argue that for many reasons these productions suggest that the interaction of science and the stage lends itself by its very nature to the postdramatic condition.