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J. Bresson, Spatial Structures Programming for Music, Proceedings of the Spatial Computing Workshop (SCW) ? Co-located w. Autonomous Agents and MultiAgent Systems (AAMAS), 2012.
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E. Ellberger, G. Toro-perez, J. Schuett, L. Cavaliero, and G. Zoia, A Paradigm for Scoring Spatialization Notation, TENOR: First International Conference on Technologies for Music Notation and Representation, 2015.

T. Carpentier, ToscA: an OSC communication plugin for object-oriented spatialization authoring, Proceedings of the International Computer Music Conference, 2015.
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J. J. Nixdorf and D. Gerhard, Real-time sound source spatialization as used in challenging bodies: implementation and performance, Proceedings of the conference on New Interfaces for Musical Expression, 2006.

M. T. Marshall, J. Malloch, and M. M. Wanderley, Gesture control of sound spatialization for live musical performance, " in Gesture-Based Human-Computer Interaction and Simulation, 2009.

G. , L. Vaillant, and R. Giot, Multi-touch Interface for Acousmatic Music Spatialization, Joint International Computer Music, Sound and Music Computing Conference, 2014.

C. Bascou, Adaptive Spatialization and Scripting Capabilities in the Spatial Trajectory Editor Holo-Edit, Proceedings of the Sound and Music Computing Conference, 2010.

M. Wright, Open Sound Control: an enabling technology for musical networking, Organised Sound, vol.10, issue.03, 2005.
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N. Peters, T. Lossius, J. Schacher, P. Baltazar, C. Bascou et al., A Stratified Approach for Sound Spatialization, Proceedings of the Sound and Music Computing Conference, 2009.

J. Bresson and M. Schumacher, Representation and Interchange of Sound Spatialization Data for Compositional Applications, Proceedings of the International Computer Music Conference, 2011.
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D. Schwartz and M. Wright, Extensions and Applications of the SDIF Sound Description Interchange Format, Proceedings of the International Computer Music Conference, 2000.

M. Schumacher and J. Bresson, Compositional Control of Periphonic Sound Spatialization, 2nd International Symposium on Ambisonics and Spherical Acoustics, 2010.
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X. Favory, J. Garcia, and J. Bresson, Trajectoires, Proceedings of the 27th Conference on l'Interaction Homme-Machine, IHM '15, 2015.
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M. Geier, J. Ahrens, and S. Spors, Object-based Audio Reproduction and the Audio Scene Description Format, Organised Sound, vol.93, issue.03, pp.219-227, 2010.
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F. Canavese, F. Giomi, D. Meacci, and K. Schwoon, Asymmetrical Envelope Shapes in Sound Spatialization, Proceedings of the Sound and Music Computing Conference, 2009.

M. Schumacher, OM-SoX: Multichannel Audio Manipulation and Functional Batch Processing in Computer-Aided Composition

R. Penha, Distance Encoding in Ambisonics Using Three Angular Coordinates, Proceedings of the Sound and Music Computing Conference, 2008.

F. Bayle, A propos de l'Acousmonium, Recherche Musicale au GRM, vol.397, 1989.

J. Bresson, Reactive visual programs for computer-aided music composition, 2014 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC), 2014.
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J. Nika, D. Bouche, J. Bresson, M. Chemillier, and G. Assayag, Guided Improvisation as Dynamic Calls to an Offline Proccess, Proceedinsg of the Sound and Music Computing conference, 2015.