Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations, Journal of Music Theory, vol.41, issue.1, pp.1-66, 1997. ,
DOI : 10.2307/843761
Learning with harmony space: an overview, Music Education: An Artificial Intelligence Perspective, pp.24-40, 1994. ,
DOI : 10.1007/978-1-4471-3571-5_2
Isochords, Proceedings of Graphics Interface 2007 on , GI '07, pp.297-304, 2007. ,
DOI : 10.1145/1268517.1268565
Traversée du vent et de la lumì ere. six remarques pour une phénoménologie de la création musicale ,
Isomorphic tessellations for musical keyboards, Proceedings of Sound and Music Computing Conference, pp.471-478, 2011. ,
Inksplorer: Exploring musical ideas on paper and computer, Proceedings of New Interfaces for Musical Expression, 2011. ,
URL : https://hal.archives-ouvertes.fr/inria-00600083
OpenMusic : Un langage visuel pour la composition musicale assistee par ordinateur, 1998. ,
The Use of Hierarchy and Instance in a Data Structure for Computer Music, Computer Music Journal, vol.2, issue.4, pp.10-20, 1978. ,
DOI : 10.2307/3680369
Drawing electroacoustic music, Proceedings of Internationnal Computer Music Conference, 2008. ,
Paperoles et musique, Proceedings of the 19th International Conference of the Association Francophone d'Interaction Homme-Machine on, IHM '07, pp.167-174, 2007. ,
DOI : 10.1145/1541436.1541469
URL : https://hal.archives-ouvertes.fr/hal-01106308
The myth of the paperless office, 2003. ,
Augmented paper and anoto stylus, " in Proceedings of the 15th Frenchspeaking conference on human-computer interaction on 15eme Conference Francophone sur l'Interaction Homme-Machine, ser, pp.232-235, 2003. ,
Declarative definition of group indexed data structures and approximation of their domains, Proceedings of the 3rd ACM SIGPLAN international conference on Principles and practice of declarative programming , PPDP '01, pp.150-161, 2001. ,
DOI : 10.1145/773184.773201
Building Topological Spaces for Musical Objects, Mathematics and Computation in Music, vol.8, pp.13-28, 2011. ,
DOI : 10.1007/978-3-642-02394-1_1
URL : https://hal.archives-ouvertes.fr/hal-01161290
Analyser l'harmonie -auxfrontì eres de la tonalité ,
A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings, Computer Music Journal, vol.18, issue.1, pp.42-54, 2012. ,
DOI : 10.1080/07494468900640071