M. Aramaki, M. Besson, R. Kronland-martinet, and S. Ystad, Timbre perception of sounds from impacted materials: a neuro-acoustic approach, Journal of the Acoustical Society of America submitted, 2007.

M. Aramaki and R. , Analysis-synthesis of impact sounds by real-time dynamic filtering, IEEE Transactions on Audio, Speech and Language Processing, vol.14, issue.2, 2006.
DOI : 10.1109/TSA.2005.855831

M. Aramaki, R. Kronland-martinet, T. Voinier, and S. Ystad, A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes, Computer Music Journal, vol.38, issue.7, pp.32-41, 2006.
DOI : 10.1121/1.387543
URL : https://hal.archives-ouvertes.fr/hal-00091654

A. Caracciolo and C. Valette, Damping mechanisms governing plate vibration, Acta Acustica, vol.3, pp.393-404, 1995.

C. Carello, K. L. Anderson, and A. J. Kunkler-peck, Perception of Object Length by Sound, Psychological Science, vol.10, issue.3, pp.211-214, 1998.
DOI : 10.1037/0003-066X.51.11.1134

D. J. Freed, Auditory correlates of perceived mallet hardness for a set of recorded percussive sound events, The Journal of the Acoustical Society of America, vol.87, issue.1, pp.311-322, 1990.
DOI : 10.1121/1.399298

B. L. Giordano and S. Mcadams, Material identification of real impact sounds: Effects of size variation in steel, glass, wood, and plexiglass plates, The Journal of the Acoustical Society of America, vol.119, issue.2, pp.1171-1181, 2006.
DOI : 10.1121/1.2149839

R. L. Klatzky, D. K. Pai, and E. P. Krotkov, Perception of Material from Contact Sounds, Presence: Teleoperators and Virtual Environments, vol.9, issue.4, pp.399-410, 2000.
DOI : 10.1037/0096-1523.10.5.704

A. J. Kunkler-peck and M. T. Turvey, Hearing shape., Journal of Experimental Psychology: Human Perception and Performance, vol.26, issue.1, pp.279-294, 2000.
DOI : 10.1037/0096-1523.26.1.279

M. Leman, Visualization and calculation of the roughness of acoustical musical signals using the synchronisation index model (sim), Proceedings of the COST-G6 Conference on Digital Audio Effects, 2000.

S. Mcadams, S. Winsberg, S. Donnadieu, G. D. Soete, and J. Krimphoff, Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes, Psychological Research, vol.72, issue.2, pp.177-192, 1995.
DOI : 10.1007/BF00419633
URL : https://hal.archives-ouvertes.fr/hal-00828647

D. Rocchesso and F. Fontana, Sounding objects, IEEE Multimedia, vol.10, issue.2, 2003.
DOI : 10.1109/MMUL.2003.1195160

J. O. Smith and S. A. Van-duyne, Developments for the commuted piano, Proceedings of the International Computer Music Conference, 1995.

K. Van-den-doel and D. K. Pai, The Sounds of Physical Shapes, Presence: Teleoperators and Virtual Environments, vol.7, issue.4, pp.382-395, 1998.
DOI : 10.1063/1.337237

P. N. Vassilakis, Perceptual and Physical Properties of Amplitude Fluctuation and their Musical Significance, 2001.

D. L. Wessel, Timbre Space as a Musical Control Structure, Computer Music Journal, vol.3, issue.2, pp.45-52, 1979.
DOI : 10.2307/3680283

R. P. Wildes and W. A. Richards, Recovering material properties from sound, pp.356-363, 1988.

E. Zwicker and H. , Psychoacoustics, facts and models, 1990.