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How Do Interactive Virtual Operas Shift Relationships between Music, Text and Image?

Alain Bonardi 1, 2 Francis Rousseaux 2, 1
1 CRESTIC - Centre de Recherche en Sciences et Technologies de l'Information et de la Communication - EA 3804
2 STMS - Sciences et Technologies de la Musique et du Son
Abstract : In this paper we present the new genre of interactive operas implemented on personal computers. They differ from traditional ones not only because they are virtual, but mainly because they offer to composers and listeners new perspectives of combinations and interactions between music, text and visual aspects.
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https://hal.archives-ouvertes.fr/hal-00442801
Contributor : Alain Bonardi Connect in order to contact the contributor
Submitted on : Tuesday, December 22, 2009 - 3:49:43 PM
Last modification on : Tuesday, March 15, 2022 - 3:20:41 AM
Long-term archiving on: : Friday, June 18, 2010 - 12:04:12 AM

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  • HAL Id : hal-00442801, version 1
  • ARXIV : 0912.4880

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CNRS | IRCAM | UPMC | STMS | URCA | CRESTIC | SORBONNE-UNIVERSITE | SU-SCIENCES | SU-TI

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Alain Bonardi, Francis Rousseaux. How Do Interactive Virtual Operas Shift Relationships between Music, Text and Image?. John Benjamins Publishing Company. Language, vision and music, John Benjamins Publishing Company, pp.285-294, 2002. ⟨hal-00442801⟩

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