J. P. Allouche and &. A. Mouret, Libertés non anarchiques, automates finis et champs matriciels, Actes du Colloque " Structures Musicales et Assistance Informatique, pp.45-50, 1988.

W. J. Arnold, Playing with intonation, ISTAR Newsletter, pp.3-4, 1984.

W. J. Arnold, J. Bor, and &. W. Van-der-meer, On Measuring Notes. A response to N, A. Jairazbhoy. ISTAR Newsletter, pp.3-4, 1984.

E. Barba, The Dictionary of Theatre Anthropology: the Secret Art of the Performer, 1991.

A. Bel, Kathak " fusion " : une voie nouvelle pour la création chorégraphique contemporaine. Telex Danse, 43. Paris: Fédération Française de Danse, pp.13-15, 1992.

A. Bel, De la danse Isadorienne à la danse " fusion " , en passant par le Kathak Rapports musique/mouvement, suggestion poétique, formes polychrones. International seminar The Relevance of Isadora Duncan's Teachings to Contemporary Dance Production, 1992.

B. Bel, A mathematical discussion of the ancient theory of scales according to Natyashastra, 1988.

B. Bel, Raga: approches conceptuelles et expérimentales, Actes du Colloque " Structures Musicales et Assistance Informatique, pp.87-108, 1988.

A. B. Bel, Activité créatrice transformationnelle: théorie et pratique, Le Fait Musical ? Sciences, Technologies, Pratiques. Prepublication of the Acts of the Conference " Music and Information Technology, pp.193-206, 1990.

B. Bel, Equipentatonic tunings Electronic file retrievable as ERD 91-038 by anonymous ftp from info, Ethnomusicology Research Digest, vol.38, pp.57-114, 1991.

B. Bel and &. J. Bor, NCPA/ISTAR Research Collaboration, Bombay: National Centre for the Performing Arts, pp.45-53, 1985.

J. J. Bhabha and &. G. Lechner, Dance Encounter: the Western scene, Bombay: National Centre for the Performing Arts, pp.5-7, 1984.

J. Blacking, Dialectical ethnomusicology: making sense of Ellis and Adler in 1985, European Seminar of Ethnomusicology, pp.23-28, 1985.

?. , ?. Plea, and J. Diversity-blacking, Interview with Keith Howard. Queen's University of Belfast, 28- 30 september. Electronic file retrievable by anonymous ftp from info, 1989.

J. Blacking, Challenging the Myth of 'Ethnic' Music: First Performances of a New Song in an African Oral Tradition, 1961, Yearbook for Traditional Music, vol.21, pp.17-24, 1961.
DOI : 10.2307/767765

J. Bor, The Rise of Ethnomusicology: Sources on Indian Music c.1780 - c.1890, Yearbook for Traditional Music, pp.51-73, 1988.
DOI : 10.2307/768166

J. Bor, W. A. Arnold, and &. I. Mott, Notating Hindustani Music, New Delhi: ISTAR Newsletter, pp.3-4, 1984.

P. Brightman, Making dances with algorithms: towards a theory of choreography, based on the use of computer programs and Laban concepts, Submitted in partial fulfillment of the requirements for the Master of Arts Degree in Independant Study in Dance Composition Theory, 1984.

M. Castellengo, Quelques aspects de la perception de la hauteur et du timbre dans un contexte musical, 1991.

R. Cogan, Composition: Diversity/unity, Interface, vol.23, issue.3-4, pp.3-4, 1991.
DOI : 10.1080/09298219108570584

P. Cooke, Report on Pitch Perception Experiment carried out in Buganda and Busoga (Uganda) Electronic file retrievable by anonymous ftp from info, 1990.

I. Duncan, The Art of the Dance, 1977.

C. Esclapez and S. Frith, The Naked and the Dead. Ethnicity and Authenticity and the Pop Pursuit of Non-Pop Music. Convegno Musica Colta e Musica Popolare Yearbook for Traditional Music, Proceedings of the First International Doctoral Seminar on Musical Semiotrics. Imatra (Finland): International Semiotics Institute, 1991.

W. Grossin, Pour une écologie temporelle, 1988.

E. T. Hall, The Dance of Life, 1983.

C. G. Jung, Foreword. In The I Ching or Book of Changes, 1950.

Y. Kawabata, Pays de Neige. French translation: Bunkichi Fujimori & Armel Guerne, 1960.

J. Kippen, The dialectical approach: a methodology for the analysis of tabla music. Bulletin of the International Council for Traditional Music, 1985.

J. Kippen, Where does the end begin? Problems in musico-cognitive modelling. Minds and Machines, 1992.

J. Kippen and &. B. Bel, Can a Computer Help Resolve the Problem of Ethnographic Description?, Anthropological Quarterly, vol.62, issue.3, pp.131-140, 1989.
DOI : 10.2307/3317453

URL : https://hal.archives-ouvertes.fr/hal-00275429

J. Kippen and &. B. Bel, The identification and modelling of a percussion ?language,? and the Emergence of Musical Concepts in a machine-learning experimental set-up, Computers and the Humanities, vol.27, issue.11, pp.199-214, 1989.
DOI : 10.1007/BF00056143

URL : https://hal.archives-ouvertes.fr/halshs-00004505

B. , &. A. Bel-kippen, J. , and &. B. Bel, Modelling music with grammars: formal language representation in the Bol Processor Computer Representations and Models in Music, pp.207-238, 1992.

B. Kirshenblatt-gimblett and P. Krumm, Confusing Pleasures Intercultural Performance Qu'est-ce que la World Music? Le Monde, Routledge. (Forthcoming), vol.17, issue.10, p.9120, 1991.

P. Labesse, Le marché du disque. Idées longues et vision courte, Le Monde, vol.17, issue.10, p.9120, 1991.

O. E. Laske, Technology Management as Action Research: Challenges for Organizational Re-Education. CC-AI Imagination créatrice et activité artistique, Diogène, 127. Paris, pp.43-69, 1984.

M. Lath, What is Khyal? ? a critique of Wade's " Khyal: Creativity within North India's Classical Music Tradition, Bombay: National Centre for the Performing Arts, pp.1-11, 1988.

B. Malinowski, Argonauts of the Western Pacific. An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea, 1922.

E. Morin, Introduction à la pensée complexe, 1990.

D. Ethnomusicology-research, Electronic file retrievable by anonymous ftp from info

B. Nettl, Mozart and the ethnomusicological study of Western Culture (an essay in four movements) Yearbook for Traditional Music, 21, International Council for Traditional Music, pp.1-16, 1989.

P. Oertli, Percussion notation with " RHYTHMICS " . Marseille: ICTM-ISTAR seminar Transcription of Traditional Music, 1990.

K. Ohtani, Japanese Approaches to the Study of Dance Yearbook for Traditional Music, pp.23-32, 1991.

S. S. Rao, Acoustical Perspective on Raga-Rasa Theory, 1992.

S. Rao and &. D. Biswas, Aesthetics of Hindustani Music ? an Acoustical Study, Le Fait Musical ? Sciences, Technologies, Pratiques. Prepublication of the Acts of the Conference " Music and Information Technology, pp.465-490, 1990.

R. Schechner, Restoration of Behaviour, see supra, pp.205-235, 1991.

I. Servant, How was Time Represented? 17-18th Century Harpsichord Music in French Society, Third International Conference on Musical Signification, 1992.

R. Shankar, Symphonie pour une fusion, Le Monde, vol.1791, issue.10, p.23, 1991.

F. Taviani, Views of the Performer and the Spectator, see supra, pp.256-267, 1991.

B. Vecchione, Rhétorique et musique: la dimension épidictique dans le Nuper Rosarum Flores Terribilis Est Locus, Third International Congress on Musical Signification, 1436.

Y. S. Walimbe, Abhinavagupta on Indian Aesthetics. Ajanta's series on aesthetics, 1980.

D. Williams, Introductory essay, Journal for the Anthropological Study of Human Movement, vol.1, p.4, 1981.
DOI : 10.1017/CBO9780511805028.001