| Publication type: |
 |
Article in peer-reviewed journal |
|
| Subject: |
|
|
|
| Title: |
|
High level control of sound synthesis for sonification processes |
|
| Author(s): |
|
Richard Kronland-Martinet ( ) 1, Solvi Ystad () 1, Mitsuko Aramaki () 2 |
|
| Laboratory: |
|
|
|
| Abstract: |
|
Methods of sonification based on the design and control of sound synthesis is presented in this pa- per. The semiotics of isolated sounds was evidenced by performing fundamental studies using a combined acoustical and brain imaging (Event Related Poten- tials) approach. The perceptual cues (which are known as invariants) responsible for the evocations elicited by the sounds generated by impacts, moving sound sour- ces, dynamic events and vehicles (car-door closing and car engine noise) were then identified based on physical and perceptual considerations. Lastly, some examples of the high-level control of a synthesis process simulat- ing immersive 3-D auditory scenes, interacting objects and evoked dynamics are presented. |
|
| Fulltext language: |
|
English |
|
| Production date: |
|
2010-09-30 |
|
|
| Journal: |
|
AI&Society, Journal of Knowledge, Culture and Communication |
|
| Audience: |
|
international |
|
| Publication date: |
|
2012 |
|
| Submission date: |
|
2011-09-06 |
|
| Volume: |
|
24 |
|
| Issue: |
|
1 |
|
| Page, identifiant, ...: |
|
245-255 |
|
|
| Keyword(s): |
|
high-level control – invariants – synthesis – semiotics |
|
|
Export this paper
